
The Three Fates
Anonymous, Italian, North Italy, 16th century (d. 1600)
1530–50 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
508 ms. The Metropolitan Museum of Art, Collection API (Open Access)
347 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,023 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Three Fates
Anonymous, Italian, North Italy, 16th century (d. 1600)
1530–50 · Engraving
Cleared · Public Domain
live
The Three Fates, Costume Designs
Pierre Milan
c. 1534 · Print, engraving
Cleared · CC0
live
The Three Fates
Luca Cambiaso (d. 1585)
1527–85 · Pen and brown ink
Cleared · Public Domain
live
Grave Stele (Relief)
Unrecorded maker
c. 50 BCE · Sculpture, marble
Cleared · CC0
live
The Three Fates: Clotho, Lachesis and Atropos
Jan Muller (d. 1628)
ca. 1589 · Engraving; third state of four
Cleared · Public Domain
live
Battle of Ravana and Jatayu, from Chapters 50 and 51 of the Aranya Kanda (Book of the Forest) of Valmiki's Ramayana (Rama’s Journey); folio from the "Burnt" Ramayana
Unrecorded maker
c. 1605 · Painting, Gum tempera and ink on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Life (The Three Fates)
Enea Vico (d. 1567)
ca. 1545–50 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Three Fates
Giorgio Ghisi (d. 1582)
1558 · Engraving; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Three Fates
Cornelis Cort (d. 1578)
1561 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Three Fates
Cornelis Cort (d. 1578)
1561 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Three Fates
Aegidius Sadeler II (d. 1629)
1589 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Three Fates
Aegidius Sadeler II (d. 1629)
1589 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.