
Stirrup-spout bottle with seated figure
Moche artist(s)
200 CE–500 CE · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
278 ms. The Metropolitan Museum of Art, Collection API (Open Access)
370 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Stirrup-spout bottle with seated figure
Moche artist(s)
200 CE–500 CE · Ceramic
Cleared · Public Domain
live
The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)
1445 · Tempera and gold on wood
Cleared · Public Domain
live
Hagar and Ishmael in the Wilderness (recto); Two portrait studies of the artist's wife, and a study of a leg and torso (verso)
George Richmond (d. 1896)
1829–33 · Graphite, pen and black ink, brush and black wash, with white gouache (bodycolor) (recto); graphite and black chalk with touches of gouache (bodycolor) (verso)
Cleared · Public Domain
liveMarqueta Fragment
Unrecorded maker
19th century · Silver amalgam
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Light Expelling Darkness,–Evaporation of Stygian Exhalations,–or–the Sun of the Constitution, Rising Superior to the Clouds of Opposition
James Gillray (d. 1815)
April 30, 1795 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Blindman's Buff
Komar & Melamid
1982–83 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Narcisos
Oscar Muñoz (d. 9999)
1995 · Coal dust over glass over Plexiglas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Narcisos
Oscar Muñoz (d. 9999)
1995 · Coal dust over glass over Plexiglas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Narcisos
Oscar Muñoz (d. 9999)
1995 · Coal dust over glass over Plexiglas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Narcisos
Oscar Muñoz (d. 9999)
1995 · Coal dust over glass over Plexiglas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Narcisos
Oscar Muñoz (d. 9999)
1995 · Coal dust over glass over Plexiglas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Desert Bloom 14
Fazal Sheikh (d. 9999)
2011 · Inkjet print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.