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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1227 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    334 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 66 matching records exist across the two collections.

Results for "Lilac (Purple) from the Language of Flow"12 records

Institutions answered newest-first by record, interleaved

Portrait of the Boy Eutyches by an unrecorded maker, The Metropolitan Museum of Art

Portrait of the Boy Eutyches

Unrecorded maker

100–150 CE · Encaustic on wood

Cleared · Public Domain

live
The MetSimilar
Dish: The Destruction of the Hosts of Pharaoh by Master IC (probably Jean Court), The Metropolitan Museum of Art

Dish: The Destruction of the Hosts of Pharaoh

Master IC (probably Jean Court) (d. 1627)

probably early 17th century · Painted enamel on copper, partly gilt.

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lilac (Purple) from the Language of Flowers series (N366) issued by the Lone Jack Cigarette Company to promote Lone Jack Cigarettes

Lone Jack Cigarette Company

1888 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Suggestion for Glass Mosaic Bird Bath in Floral Design, Mrs. Richardson Pratt, Brooklyn, NY"

Louis C. Tiffany (d. 1933)

ca. 1917 · Transparent and opaque watercolor, ink and graphite on paper mounted on paperboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Collection "Décors et Couleurs" Album No. 2, Planche 12

Jean Burkhalter

[ca. 1930] · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Collection "Décors et Couleurs" Album No. 2, Planche 6

Jean Burkhalter

[ca. 1930] · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 38 from "Prismes: 40 Planches de Dessins et Coloris Nouveaux"

Emile-Allain Séguy (d. 1951)

ca. 1930 · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studio d'Arts Décoratifs, 3e Série, Pl. 5, Six Dessins à tons très soutenus

Nicolas Sorokine

[ca. 1930] · Pochoir, commercial photo process, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studio d'Arts Décoratifs, 4e Série, Pl. 7, Genre Mosaïque. – Racines enchevêtrées. – Roses et Bijoux. – Tulipes. – Martin-Pêcheur.

Hennequin-Rêveur

[ca. 1930] · Pochoir, commercial photo process, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Idées 1, Plate 2

Maurice-Jacques-Yvan Camus

ca. 1933 · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Idées 1, Plate 7

Maurice-Jacques-Yvan Camus

ca. 1933 · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sundress

Carolyn Schnurer (d. 1998)

1952 · cotton

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.