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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    500 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    281 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 727 matching records exist across the two collections.

Results for "Limestone plaque with two eyes"11 records

Institutions answered newest-first by record, interleaved

Plaque Inscribed with Royal Titles by an unrecorded maker, The Metropolitan Museum of Art

Plaque Inscribed with Royal Titles

Unrecorded maker

mid-8th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Plaque Showing a King in the Red Crown by an unrecorded maker, The Metropolitan Museum of Art

Plaque Showing a King in the Red Crown

Unrecorded maker

mid-8th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Openwork furniture plaque with two sphinxes by an unrecorded maker, The Metropolitan Museum of Art

Openwork furniture plaque with two sphinxes

Unrecorded maker

ca. 9th–8th century BC · Ivory, gold foil

Cleared · Public Domain

live
The MetSimilar
Fragments of plaque with fantastic creatures by an unrecorded maker, The Metropolitan Museum of Art

Fragments of plaque with fantastic creatures

Unrecorded maker

ca. 8th–7th century BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Limestone plaque with two eyes by an unrecorded maker, The Metropolitan Museum of Art

Limestone plaque with two eyes

Unrecorded maker

480–310 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone plaque with two eyes in relief by an unrecorded maker, The Metropolitan Museum of Art

Limestone plaque with two eyes in relief

Unrecorded maker

480–310 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone plaque with breasts and a bunch of grapes in relief by an unrecorded maker, The Metropolitan Museum of Art

Limestone plaque with breasts and a bunch of grapes in relief

Unrecorded maker

ca. 350–250 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone votive relief of eyes and a mouth by an unrecorded maker, The Metropolitan Museum of Art

Limestone votive relief of eyes and a mouth

Unrecorded maker

4th or 3rd century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Relief plaque with two swallows, opposite side two quail chicks by an unrecorded maker, The Metropolitan Museum of Art

Relief plaque with two swallows, opposite side two quail chicks

Unrecorded maker

400–30 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Limestone plaque with two eyes in relief by an unrecorded maker, The Metropolitan Museum of Art

Limestone plaque with two eyes in relief

Unrecorded maker

ca. 50 BCE–50 CE · Limestone

Cleared · Public Domain

live
The MetSimilar
Plaque by an unrecorded maker, The Metropolitan Museum of Art

Plaque

Unrecorded maker

450–900 CE · Copper alloy

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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