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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    608 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    259 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 240 matching records exist across the two collections.

Results for "Limestone votive throne"12 records

Institutions answered newest-first by record, interleaved

Limestone votive throne by an unrecorded maker, The Metropolitan Museum of Art

Limestone votive throne

Unrecorded maker

6th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone sphinx supporting a votive bowl by an unrecorded maker, The Metropolitan Museum of Art

Limestone sphinx supporting a votive bowl

Unrecorded maker

late 6th or early 5th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone votive capital by an unrecorded maker, The Metropolitan Museum of Art

Limestone votive capital

Unrecorded maker

ca. 4th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone votive square capital by an unrecorded maker, The Metropolitan Museum of Art

Limestone votive square capital

Unrecorded maker

5th or 4th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone votive ear by an unrecorded maker, The Metropolitan Museum of Art

Limestone votive ear

Unrecorded maker

4th–3rd century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone votive ear by an unrecorded maker, The Metropolitan Museum of Art

Limestone votive ear

Unrecorded maker

4th–3rd century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone votive relief fragment by an unrecorded maker, The Metropolitan Museum of Art

Limestone votive relief fragment

Unrecorded maker

4th–3rd century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone votive thumb by an unrecorded maker, The Metropolitan Museum of Art

Limestone votive thumb

Unrecorded maker

4th–3rd century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone votive toe by an unrecorded maker, The Metropolitan Museum of Art

Limestone votive toe

Unrecorded maker

4th or 3rd century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone votive figurine by an unrecorded maker, The Metropolitan Museum of Art

Limestone votive figurine

Unrecorded maker

ca. 3rd–2nd century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone votive head by an unrecorded maker, The Metropolitan Museum of Art

Limestone votive head

Unrecorded maker

3rd–1st century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone votive Ionic capital by an unrecorded maker, The Metropolitan Museum of Art

Limestone votive Ionic capital

Unrecorded maker

ca. 3rd–1st century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.