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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    513 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    387 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 17 matching records exist across the two collections.

Results for "List and Placement of Vignettes, for "Th"12 records

Institutions answered newest-first by record, interleaved

Tomb Chapel of Raemkai: South Wall by an unrecorded maker, The Metropolitan Museum of Art

Tomb Chapel of Raemkai: South Wall

Unrecorded maker

ca. 2446–2389 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso) by Leonardo da Vinci, The Metropolitan Museum of Art

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)

Leonardo da Vinci (d. 1519)

1496 · Pen and brown ink (recto and verso)

Cleared · Public Domain

live
The MetSimilar
Elijah in the Fiery Chariot by Master of the Barbarigo Reliefs, The Metropolitan Museum of Art

Elijah in the Fiery Chariot

Master of the Barbarigo Reliefs (d. 1575)

ca. 1520 · Bronze, partially oil-gilt

Cleared · Public Domain

live
The MetSimilar
Seated satyr with an inkwell and a candlestick by an unrecorded maker, The Metropolitan Museum of Art

Seated satyr with an inkwell and a candlestick

Unrecorded maker

ca. 1530–40 · Bronze

Cleared · Public Domain

live
The MetSimilar
Christ and the Two Thieves Crucified by Michelangelo Buonarroti, The Metropolitan Museum of Art

Christ and the Two Thieves Crucified

Michelangelo Buonarroti (d. 1564)

ca. 1560–70 · Bronze

Cleared · Public Domain

live
The MetSimilar
Flagellator by Alessandro Algardi, The Metropolitan Museum of Art

Flagellator

Alessandro Algardi (d. 1654)

second half 17th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Vase by Saint-Cloud factory, The Metropolitan Museum of Art

Vase

Saint-Cloud factory (d. 1766)

ca. 1695–1710 · Soft-paste porcelain decorated in underglaze blue

Cleared · Public Domain

live
The MetSimilar
Fountain and basin by Meissen Manufactory, The Metropolitan Museum of Art

Fountain and basin

Meissen Manufactory (d. 9999)

ca. 1727–32 · Hard-paste porcelain decorated in polychrome enamels, gold; silver spout

Cleared · Public Domain

live
The MetSimilar
Charles-Louis de Secondat (1689–1755), baron de La Brède et de Montesquieu by Sèvres Manufactory, The Metropolitan Museum of Art

Charles-Louis de Secondat (1689–1755), baron de La Brède et de Montesquieu

Sèvres Manufactory (d. 9999)

ca. 1784 · Hard-paste biscuit porcelain

Cleared · Public Domain

live
The MetSimilar
Stand by Sèvres Manufactory, The Metropolitan Museum of Art

Stand

Sèvres Manufactory (d. 9999)

ca. 1777–85 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
Tureen with cover (Terrine épis de blé or épis en or et plateau) by Sèvres Manufactory, The Metropolitan Museum of Art

Tureen with cover (Terrine épis de blé or épis en or et plateau)

Sèvres Manufactory (d. 9999)

ca. 1777–85 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
List and Placement of Vignettes, for "The Complete Works of Béranger" by Pierre Jean de Béranger, The Metropolitan Museum of Art

List and Placement of Vignettes, for "The Complete Works of Béranger"

Pierre Jean de Béranger (d. 1857)

1836 · Letter press

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.