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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    214 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    316 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 39 matching records exist across the two collections.

Results for "Live Oaks, Mulberry Castle"12 records

Institutions answered newest-first by record, interleaved

Panel with the Birth of the Virgin by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Birth of the Virgin

Unrecorded maker

ca. 1500 · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with Angels Visiting the Virgin in the Temple by an unrecorded maker, The Metropolitan Museum of Art

Panel with Angels Visiting the Virgin in the Temple

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with Christ and the Woman of Samarra by an unrecorded maker, The Metropolitan Museum of Art

Panel with Christ and the Woman of Samarra

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Annunciation to the Shepherds by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Annunciation to the Shepherds

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Baptism of Christ by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Baptism of Christ

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Crucifixion of the Good Thief by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Crucifixion of the Good Thief

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Flight into Egypt by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Flight into Egypt

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Last Supper by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Last Supper

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Massacre of the Innocents by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Massacre of the Innocents

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Nativity by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Nativity

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar
Panel with the Presentation of the Virgin in the Temple by an unrecorded maker, The Metropolitan Museum of Art

Panel with the Presentation of the Virgin in the Temple

Unrecorded maker

early 16th century · Oak

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Live Oaks, Mulberry Castle

Elizabeth O'Neill Verner (d. 1975)

1931 · Etching, drypoint

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.