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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    286 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    360 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 20 matching records exist across the two collections.

Results for "Living Aloft"12 records

Institutions answered newest-first by record, interleaved

Stela of Tjanetdinetiset and Djedbastet by an unrecorded maker, The Metropolitan Museum of Art

Stela of Tjanetdinetiset and Djedbastet

Unrecorded maker

ca. 945–721 BCE · Wood, paste, paint

Cleared · Public Domain

live
The MetSimilar
The Ecstasy of Mary Magdalene by Albrecht Dürer, The Cleveland Museum of Art

The Ecstasy of Mary Magdalene

Albrecht Dürer (d. 1528)

1501–4 · Print, woodcut

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Four Horsemen, from "The Apocalypse" by Albrecht Dürer, The Metropolitan Museum of Art

The Four Horsemen, from "The Apocalypse"

Albrecht Dürer (d. 1528)

1498 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Living Aloft by Wen Zhengming, The Metropolitan Museum of Art

Living Aloft

Wen Zhengming (d. 1559)

1543 · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Drunken Silenus holding a cup aloft into which a Satyr pours wine by Jusepe de Ribera (called Lo Spagnoletto), The Metropolitan Museum of Art

Drunken Silenus holding a cup aloft into which a Satyr pours wine

Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)

1628 · Etching with drypoint, engraving, and burnishing

Cleared · Public Domain

live
The MetSimilar
The Return of Neptune by John Singleton Copley, The Metropolitan Museum of Art

The Return of Neptune

John Singleton Copley (d. 1815)

ca. 1754 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Study of Young Horsemen, pl. XV from "Recueil de caricatures" by Ange-Laurent de La Live de Jully, The Metropolitan Museum of Art

Study of Young Horsemen, pl. XV from "Recueil de caricatures"

Ange-Laurent de La Live de Jully (d. 1779)

ca. 1754 · Etching

Cleared · Public Domain

live
The MetSimilar
Omnia Vincit Amor, or The Power of Love in the Three Elements by Benjamin West, The Metropolitan Museum of Art

Omnia Vincit Amor, or The Power of Love in the Three Elements

Benjamin West (d. 1820)

1809 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room by Seymour Joseph Guy, The Metropolitan Museum of Art

The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room

Seymour Joseph Guy (d. 1910)

1866 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Krishna subduing Kaliya, flanked by his pleading wives by an unrecorded maker, The Metropolitan Museum of Art

Krishna subduing Kaliya, flanked by his pleading wives

Unrecorded maker

19th century · Opaque watercolor and gold on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fall of Pyongyang, from a series on the Sino-Japanese War

Migita Toshihide (d. 1925)

1894 · Set of six woodblock prints; ink and color on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"The Frog & the Crow"―page design

Paul Vincent Woodroffe (d. 1954)

January 14, 1907 · Pen and black ink, watercolor and graphite

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.