![The Farnese Table by Jacopo [Giacomo] Barozzi da Vignola, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/es/web-large/DP-42913-001.jpg)
The Farnese Table
Jacopo [Giacomo] Barozzi da Vignola (d. 1573)
ca. 1565–73 · Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
74 ms. The Metropolitan Museum of Art, Collection API (Open Access)
394 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,335 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![The Farnese Table by Jacopo [Giacomo] Barozzi da Vignola, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/es/web-large/DP-42913-001.jpg)
The Farnese Table
Jacopo [Giacomo] Barozzi da Vignola (d. 1573)
ca. 1565–73 · Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers
Cleared · Public Domain
live
The Benediction at Table
Abraham Bosse (d. 1676)
ca. 1635 · Etching
Cleared · Public Domain
live
Traveling table (table de voyage or table pliante)
Unrecorded maker
ca. 1700–1720 · Carved walnut; gilt-bronze mounts; steel hinges; linings of felt and leather
Cleared · Public Domain
live
Mechanical table (Table mécanique)
Jean Henri Riesener (d. 1806)
1778 · Oak veneered with marquetry of bois satiné, holly, amaranth, barberry, stained sycamore, and green-lacquered wood; gilt-bronze mounts; steel, iron and brass fittings; mirror glass; velvet (not original)
Cleared · Public Domain
live
Table
Léon Marcotte (d. 1887)
1860–72 · Walnut, amboina pine, maple, poplar, ash, cherry, hornbeam
Cleared · Public Domain
live
At the Dressing Table
Unidentified artist
19th century · Hanging scroll; ink and color on silk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Benediction at the Table
Abraham Bosse (d. 1676)
ca. 1635 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Table
Jean-François Leleu (d. 1807)
ca. 1766/7 · Tulipwood, Sèvres porcelain, gilt bronze, leather, silk moiré
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lady at the Tea Table
Mary Cassatt (d. 1926)
1883–85 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Table
Gustav Stickley (d. 1942)
1900 · Oak
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
William Zorach at the Table
Marguerite Zorach (d. 1968)
1912–13 · Watercolor and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lizzie at the Table
Fairfield Porter (d. 1975)
1958 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.