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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    222 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    266 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 36 matching records exist across the two collections.

Results for "Lola de Valence"12 records

Institutions answered newest-first by record, interleaved

Medal commemorating the Capture of Valencia in Italy (La Prise de Valence en Italie) by Louis Simonneau, The Metropolitan Museum of Art

Medal commemorating the Capture of Valencia in Italy (La Prise de Valence en Italie)

Louis Simonneau

ca. 1690–1710 · Engraving

Cleared · Public Domain

live
The MetSimilar
Lola de Valence by Édouard Manet, The Cleveland Museum of Art

Lola de Valence

Édouard Manet (d. 1883)

1862 · Print, etching and aquatint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Valence for a bed (Lit à la duchesse en impériale) by Beauvais, The Metropolitan Museum of Art

Valence for a bed (Lit à la duchesse en impériale)

Beauvais

ca. 1780–90 · Silk and wool (20-25 warps per inch, 8-11 per centimeter)

Cleared · Public Domain

live
The MetSimilar
Photogenic Drawing of the Laocoon, September 1839; Tomb of William de Valence by Unknown, The Metropolitan Museum of Art

Photogenic Drawing of the Laocoon, September 1839; Tomb of William de Valence

Unknown

1839 · Salted paper prints

Cleared · Public Domain

live
The MetSimilar
Tomb of Simon de Langham, Tomb of Aymer de Valence by Unknown, The Metropolitan Museum of Art

Tomb of Simon de Langham, Tomb of Aymer de Valence

Unknown

1839 · Salted paper prints

Cleared · Public Domain

live
The MetSimilar
Lola de Valence by Edouard Manet, The Metropolitan Museum of Art

Lola de Valence

Edouard Manet (d. 1883)

1862 · Etching and aquatint, final state (VI)

Cleared · Public Domain

live
The MetSimilar
Lola de Valence by Edouard Manet, The Metropolitan Museum of Art

Lola de Valence

Edouard Manet (d. 1883)

1863 · Etching and aquatint with roulette; sixth state of eight

Cleared · Public Domain

live
The MetSimilar
Lola de Valence by Amedeo Modigliani, The Metropolitan Museum of Art

Lola de Valence

Amedeo Modigliani (d. 1920)

1915 · Oil on paper, mounted on wood panel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cour, 7 rue de Valence

Eugène Atget (d. 1927)

1922 · Gelatin silver print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cour, rue de Valence

Eugène Atget (d. 1927)

1922, printed 1956 · Gelatin silver print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The puppeteeer Francisca Pulido Cuevas, from "Titeres Populares Mexicanos" (Mexican popular puppets)

Lola Cueto (d. 1978)

1943 · Etching and aquatint, proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A pre-hispanic articulated doll, from "Titeres Populares Mexicanos" (Mexican popular puppets)

Lola Cueto (d. 1978)

1946 · Aquatint, proof

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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