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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    177 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    432 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 13 matching records exist across the two collections.

Results for "London As It Is: Hyde Park, near Grosve"11 records

Institutions answered newest-first by record, interleaved

View of London with St. Paul’s in the distance: a family pausing on a road by Julius Caesar Ibbetson, The Metropolitan Museum of Art

View of London with St. Paul’s in the distance: a family pausing on a road

Julius Caesar Ibbetson (d. 1816)

1787 · Watercolor, pen and ink

Cleared · Public Domain

live
The MetSimilar
Returning from the Review (Loyal Ducking) by Thomas Rowlandson, The Metropolitan Museum of Art

Returning from the Review (Loyal Ducking)

Thomas Rowlandson (d. 1827)

June 1800 (?) · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The March of Morality by William Heath ('Paul Pry'), The Metropolitan Museum of Art

The March of Morality

William Heath ('Paul Pry') (d. 1840)

1827–29 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
[Scene of City Hall, New York City] by Joseph Stubbs, The Metropolitan Museum of Art

[Scene of City Hall, New York City]

Joseph Stubbs (d. 1836)

ca. 1826–ca. 1836 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
Sampler with compound division equation by Mary Ann Sadler, The Metropolitan Museum of Art

Sampler with compound division equation

Mary Ann Sadler

mid-19th century · Silk embroidery on wool

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bavaria, from An Overland Journey to the Great Exhibition

Richard Doyle (d. 1883)

1851 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

De La Rue's Stationery Stand and Envelope Machine, from "Recollections of the Great Exhibition, 1851"

Edwin Thomas Dolby (d. 1895)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Her Majesty's Retiring Room, from "Recollections of the Great Exhibition, 1851"

Walter Goodall (d. 1889)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Part of the French Court, No. 2, from "Recollections of the Great Exhibition, 1851"

Walter Goodall (d. 1889)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Crystal Palace for the Great Exhibition of the World's Industry at New York: 1853

Charles Gildemeister (d. 1869)

1852 · Lithograph with tint stone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.