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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    8778 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    299 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 74 matching records exist across the two collections.

Results for "London As It Is: The Bank, Looking towa"12 records

Institutions answered newest-first by record, interleaved

A view of Lambeth Palace from the river at Whitehall Stairs by Wenceslaus Hollar, The Metropolitan Museum of Art

A view of Lambeth Palace from the river at Whitehall Stairs

Wenceslaus Hollar (d. 1677)

1643–44 · Etching, only state

Cleared · Public Domain

live
The MetSimilar
London Viewed from the Milford Stairs by Wenceslaus Hollar, The Metropolitan Museum of Art

London Viewed from the Milford Stairs

Wenceslaus Hollar (d. 1677)

1643–44 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
A Prospect of Westminster & A Prospect of the City of London by Johannes Kip, The Metropolitan Museum of Art

A Prospect of Westminster & A Prospect of the City of London

Johannes Kip (d. 1722)

1720 · Two engravings, printed from two plates

Cleared · Public Domain

live
The MetSimilar
The Botanic Fan by Sarah Ashton, The Metropolitan Museum of Art

The Botanic Fan

Sarah Ashton (d. 1798)

1792 · Hand-colored etching and engraving

Cleared · Public Domain

live
The MetSimilar
Watch by Wetherell & Janaway, The Metropolitan Museum of Art

Watch

Wetherell & Janaway (d. 1794)

ca. 1790 · Case: gold, pearls, enamel, silver set with diamonds and opal; Movement: with diamond endstone

Cleared · Public Domain

live
The MetSimilar
Girards Bank / Philadelphia by Job & John Jackson, The Metropolitan Museum of Art

Girards Bank / Philadelphia

Job & John Jackson (d. 1835)

ca. 1831–ca. 1835 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
Hartford./ Connecticut./ JACKSONS WARRANTED by Job & John Jackson, The Metropolitan Museum of Art

Hartford./ Connecticut./ JACKSONS WARRANTED

Job & John Jackson (d. 1835)

ca. 1831–ca. 1835 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
Windsor from Datchet by William Collingwood Smith, The Metropolitan Museum of Art

Windsor from Datchet

William Collingwood Smith (d. 1887)

1870–78 · Watercolor

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Amiens, Jaques and the Hind (Shakespeare, As You Like It, Act 2, Scene 1)

Samuel Middiman (d. 1831)

1791 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Puritan

Henry Meyer (d. 1847)

April 1, 1833 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

William Biscombe Gardner (d. 1919)

1876–80 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Cut Toward Culebra

Joseph Pennell (d. 1926)

1912 · Lithograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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