
Tootehill fields (Tothill Fields, London)
Wenceslaus Hollar (d. 1677)
1643–44 · Etching; first state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
745 ms. The Metropolitan Museum of Art, Collection API (Open Access)
1468 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,138 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Tootehill fields (Tothill Fields, London)
Wenceslaus Hollar (d. 1677)
1643–44 · Etching; first state of two
Cleared · Public Domain
live
London As It Is: Westminster Abbey
Thomas Shotter Boys (d. 1874)
1842 · Bound Volume, lithograph
Cleared · CC0
live
A Prospect of Westminster & A Prospect of the City of London
Johannes Kip (d. 1722)
1720 · Two engravings, printed from two plates
Cleared · Public Domain
live
The Building of Westminster Bridge
Samuel Scott (d. 1772)
1772 · Oil on canvas
Cleared · Public Domain
live
Waltham Abbey, Essex
Peter De Wint (d. 1849)
ca. 1840 · Graphite and watercolor
Cleared · Public Domain
live
Westminster Abbey
Nicolaas Henneman (d. 1898)
before May 1845 · Salted paper print from paper negative
Cleared · Public Domain
live
The jovial monarch caught Mrs. Russell's hand in his, and proceeded to dance, illustration to "A Castle in Spain: A Novel"
Edwin Austin Abbey (d. 1911)
1880–83 · Pen and ink
Cleared · Public Domain
live
He went to Tonson, illustration to "The Noble Patron"
Edwin Austin Abbey (d. 1911)
1888 · Pen and ink on cardboard
Cleared · Public Domain
live
Easby Abbey
Thomas Girtin (d. 1802)
19th century · Watercolor on off-white artist's board
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
London As It Is (Front cover)
Thomas Shotter Boys (d. 1874)
1842 · Gold stamping on brown paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"One Sustaining Spirit Supports Her–It is Gin": The Engilsh Squaw, from Our London Scrapbook (Harper's, New Monthly Magazine, July 1873, p. 319)
Edwin Austin Abbey (d. 1911)
1873 · Woodblock with graphite, cut for a wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Young Woman with Rake]
Edwin Austin Abbey (d. 1911)
1881(?) · Pen and ink on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.