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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    198 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    307 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 92 matching records exist across the two collections.

Results for "London Types: Sandwich-Man"12 records

Institutions answered newest-first by record, interleaved

Head of a Man in Profile Facing to the Left by Leonardo da Vinci, The Metropolitan Museum of Art

Head of a Man in Profile Facing to the Left

Leonardo da Vinci (d. 1519)

1490–94 · Pen and brown ink, over soft black chalk

Cleared · Public Domain

live
The MetSimilar
London Types: Sandwich Man by William Nicholson, The Cleveland Museum of Art

London Types: Sandwich Man

William Nicholson (d. 1949)

1898 · Print, color lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Half-Figure of a Nude Man Facing Right by Guercino (Giovanni Francesco Barbieri), The Metropolitan Museum of Art

Half-Figure of a Nude Man Facing Right

Guercino (Giovanni Francesco Barbieri) (d. 1666)

1640's · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
London Types: Sandwich-Man by William Nicholson, The Cleveland Museum of Art

London Types: Sandwich-Man

William Nicholson (d. 1949)

1898 · Print, woodcut hand-colored with watercolor

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Joseph and His Mistress by Matthias Darly, The Metropolitan Museum of Art

Joseph and His Mistress

Matthias Darly (d. 1780)

May 9, 1771 · Etching

Cleared · Public Domain

live
The MetSimilar
Monsieur Le Virtu by Matthias Darly, The Metropolitan Museum of Art

Monsieur Le Virtu

Matthias Darly (d. 1780)

November 3, 1771 · Etching

Cleared · Public Domain

live
The MetSimilar
The English Jesuit by Matthias Darly, The Metropolitan Museum of Art

The English Jesuit

Matthias Darly (d. 1780)

October 7, 1771 · Etching

Cleared · Public Domain

live
The MetSimilar
The Able Doctor, or America Swallowing the Bitter Draught, from The London Magazine by Anonymous, British, 18th century, The Metropolitan Museum of Art

The Able Doctor, or America Swallowing the Bitter Draught, from The London Magazine

Anonymous, British, 18th century (d. 1800)

May 1, 1774 · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Principal Requisites to Form a Modern Man of Fashion by Thomas Rowlandson, The Metropolitan Museum of Art

Three Principal Requisites to Form a Modern Man of Fashion

Thomas Rowlandson (d. 1827)

September 15, 1814 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mr. Mathews in his various Characters in A Wild Goose Chace or the Inn at Baltimore

George Cruikshank (d. 1878)

January 18, 1823 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Mathew-Orama for 1824 - or - "Pretty Considerable d-d particular" Tit Bits from America - being "All Well at Natchitoches"

George Cruikshank (d. 1878)

April 15, 1824 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mathew-orama for 1825--or--"My Memorandum Book" make every body Comfortable that's my way"

Isaac Robert Cruikshank (d. 1856)

April 1825 · Etching and aquatint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.