
Forehead cloth
Unrecorded maker
1600–1630 · Linen worked with silk and metal thread, spangles; satin, long -and-short, braid, buttonhole, and couching stitches
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
211 ms. The Metropolitan Museum of Art, Collection API (Open Access)
405 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 7,822 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Forehead cloth
Unrecorded maker
1600–1630 · Linen worked with silk and metal thread, spangles; satin, long -and-short, braid, buttonhole, and couching stitches
Cleared · Public Domain
live
Cloth of gold with felines and eagles
Unrecorded maker
1225–75 · Textile, Silk and gold thread: lampas
Cleared · CC0
live
Long Cloth
Unrecorded maker
ca. 1720s · Cotton (painted mordant, dyed)
Cleared · Public Domain
live
Mantle
Unrecorded maker
c. 300 BCE–200 CE · Textile, camelid fiber: plain weave with embroidery
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mummy Cloth Fragment of Ramesses III
Unrecorded maker
ca. 1197–1166 BCE · Linen
In copyright
live
Royal Female Donor
Unrecorded maker
c. 1500 · Sculpture, bronze
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Man’s shoulder or hip cloth (hinggi)
Unrecorded maker
late 19th–early 20th century · Cotton, natural dyes
In copyright
live
Fragment of a Tunic
Unrecorded maker
400s–600s CE · Textile, wool: tabby ground, inwoven tapestry ornament
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Waist Cloth (Salatasi)
Unrecorded maker
late 19th–early 20th century · Barkcloth, pigment
In copyright
live
Wild Man
Unrecorded maker
late 1400s · Sculpture, copper alloy
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bògòlanfini (mud-dyed cloth)
Bamana artist
first half of 20th century · Cotton, dye
In copyright
live
Fragment with gold leaf lions
Unrecorded maker
1000s–1100s · Textile, Silk warp and cotton weft (mulham): plain weave; gold leaf, block printed
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.