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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    396 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    325 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 307 matching records exist across the two collections.

Results for "Long Sampler"12 records

Institutions answered newest-first by record, interleaved

Embroidered band sampler by an unrecorded maker, The Metropolitan Museum of Art

Embroidered band sampler

Unrecorded maker

ca. 1650 · Silk on linen

Cleared · Public Domain

live
The MetSimilar
Long Sampler by an unrecorded maker, The Cleveland Museum of Art

Long Sampler

Unrecorded maker

1780 · Sampler, embroidery; silk on linen

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Embroidered Sampler by Anne Chase, The Metropolitan Museum of Art

Embroidered Sampler

Anne Chase (d. 1809)

1721 · Silk embroidery on wool

Cleared · Public Domain

live
The MetSimilar
Long Sampler by an unrecorded maker, The Cleveland Museum of Art

Long Sampler

Unrecorded maker

c. 1650–70 · Sampler, embroidery: silk on linen tabby ground

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Sampler by Ruth Rogers, The Metropolitan Museum of Art

Sampler

Ruth Rogers (d. 1749)

1739 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Embroidery sampler (chelliga/shelliga) by an unrecorded maker, The Cleveland Museum of Art

Embroidery sampler (chelliga/shelliga)

Unrecorded maker

1800s · Sampler, Cotton, silk, dye

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Sampler by Rebekah White, The Metropolitan Museum of Art

Sampler

Rebekah White (d. 1823)

1766 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Embroidery sampler (chelliga/shelliga) by an unrecorded maker, The Cleveland Museum of Art

Embroidery sampler (chelliga/shelliga)

Unrecorded maker

c. 1700s · Sampler, Cotton, silk, dye

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Sampler by Mary Austin, The Metropolitan Museum of Art

Sampler

Mary Austin (d. 1799)

1784 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Long Sampler by an unrecorded maker, The Cleveland Museum of Art

Long Sampler

Unrecorded maker

1600s · Sampler, embroidery: silk on linen tabby ground

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Sampler by Martha (Patty) Coggeshall, The Metropolitan Museum of Art

Sampler

Martha (Patty) Coggeshall (d. 1797)

ca. 1792 · Silk and metal thread embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Long Sampler by an unrecorded maker, The Cleveland Museum of Art

Long Sampler

Unrecorded maker

1659 · Sampler, embroidery: silk on linen tabby ground

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.