
The Raising of the Cross; verso: The Raising of the Cross, from Speculum Passionis Domini Nostri Ihesu Christi
Hans Baldung (called Hans Baldung Grien) (d. 1545)
1507 · Woodcut and letterpress
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
579 ms. The Metropolitan Museum of Art, Collection API (Open Access)
286 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 757 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Raising of the Cross; verso: The Raising of the Cross, from Speculum Passionis Domini Nostri Ihesu Christi
Hans Baldung (called Hans Baldung Grien) (d. 1545)
1507 · Woodcut and letterpress
Cleared · Public Domain
live
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David (d. 1523)
ca. 1510 · Oil on oak panel
Cleared · Public Domain
live
Christ on the Cross Between the Virgin and Moses
Hans Burgkmair (d. 1531)
1531 · Woodcut and letterpress
Cleared · Public Domain
live
St. Mary Magdalene at the Foot of the Cross
Jan Muller (d. 1628)
1593 · Engraving; New Holl.'s first state of two
Cleared · Public Domain
live
Mäsqälä qǝddase (liturgical cross)
Northern Highlands artist
15th–16th century · Bronze
Cleared · Public Domain
live
Longitudinal and Cross Sections of the Dining Rooms of the Hôtel de Montholon
Jean Jacques Lequeu (d. 1825)
1785–86 · Pen and black and gray ink, brush and gray and colored wash. Black border line.
Cleared · Public Domain
live
Longitudinal and Cross Sections of the Salons of the Hôtel de Montholon
Jean Jacques Lequeu (d. 1825)
1785–86 · Pen and black and gray ink, brush and gray and colored wash.
Cleared · Public Domain
live
Embroidered coverlet
A. S. S. (d. 9999)
1844 · Embroidered cotton
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cross-sections, which illustrate the scena stabile, and the front of the curtain [partitian] for the occasion, tavola 7 from "Il Teatro d'Ercolano" (The Theater at Herculaneum)
Francesco Piranesi (d. 1810)
1783 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustration of the side of the theater, and the stage, cross-sections of the stairs, which go up to the Vomitoria, tavola 5 from "Il Teatro d'Ercolano" (The Theater at Herculaneum)
Francesco Piranesi (d. 1810)
1783 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Custom House, New York: Longitudinal Section compared to the Parthenon of Athens: Longitudinal Section and two Transverse Sections
Alexander Jackson Davis (d. 1892)
1834–35 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Bambury Cross"
Hawes Incorporated (d. 1948)
fall/winter 1936 · wool, fur, silk
In copyright
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