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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    198 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    295 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 83 matching records exist across the two collections.

Results for "Lord Gardenstoun, late one of the Lords"12 records

Institutions answered newest-first by record, interleaved

Scarab Inscribed with the Names of Amun-Re and Neit by an unrecorded maker, The Metropolitan Museum of Art

Scarab Inscribed with the Names of Amun-Re and Neit

Unrecorded maker

ca. 1300–1080 BCE · Light green faience

Cleared · Public Domain

live
The MetSimilar
Vessel with Seated Lord by an unrecorded maker, The Metropolitan Museum of Art

Vessel with Seated Lord

Unrecorded maker

7th–8th century · Ceramic, stucco

Cleared · Public Domain

live
The MetSimilar
Horse bit with the arms of Rasse van Gavere (de Gavre), Lord of Eksaarde by an unrecorded maker, The Metropolitan Museum of Art

Horse bit with the arms of Rasse van Gavere (de Gavre), Lord of Eksaarde

Unrecorded maker

early 14th century · Bronze, gold, copper, champlevé enamel

Cleared · Public Domain

live
The MetSimilar
Tomb Plaque of Blanche of France (1328–92), daughter of Charles IV of France and Jeanne d'Evreux by an unrecorded maker, The Metropolitan Museum of Art

Tomb Plaque of Blanche of France (1328–92), daughter of Charles IV of France and Jeanne d'Evreux

Unrecorded maker

after 1392 · Black marble with traces of paint and gilding

Cleared · Public Domain

live
The MetSimilar
Armor (<i>Yoroi</i>) by an unrecorded maker, The Metropolitan Museum of Art

Armor (<i>Yoroi</i>)

Unrecorded maker

early 14th–early 15th century · Iron, leather, lacquer, silk, gilt copper

Cleared · Public Domain

live
The MetSimilar
Earflare with ritual procession by Chimú artist(s), The Metropolitan Museum of Art

Earflare with ritual procession

Chimú artist(s)

1350–1470 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Earflare with ritual procession by Chimú artist(s), The Metropolitan Museum of Art

Earflare with ritual procession

Chimú artist(s)

1350–1470 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Pair of Earflares with Multifigure Scenes by an unrecorded maker, The Metropolitan Museum of Art

Pair of Earflares with Multifigure Scenes

Unrecorded maker

12th–15th century · Gold

Cleared · Public Domain

live
The MetSimilar
The Ancient Episcopal Palace of Bromley, belonging to the See of Rochester, taken before the year 1756, from Edward Hasted's "The History and Topographical Survey of the County of Kent", vols. 1-3 by John Bayly, The Metropolitan Museum of Art

The Ancient Episcopal Palace of Bromley, belonging to the See of Rochester, taken before the year 1756, from Edward Hasted's "The History and Topographical Survey of the County of Kent", vols. 1-3

John Bayly (d. 1782)

1777–90 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lord Gardenstone, late one of the Lords of the Court of Session

John Kay (d. 1826)

ca. 1784 · Etching; early state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lord Gardenstoun, late one of the Lords of the Court of Session

John Kay (d. 1826)

ca. 1784 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lord Arima's Quarters, Edo

Felice Beato (d. 1909)

1860s · Albumen silver print from glass negative

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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