Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    576 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    320 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 19 matching records exist across the two collections.

Results for "Lot Prevents the Sodomites from Violence"12 records

Institutions answered newest-first by record, interleaved

Tomb Chapel of Raemkai: South Wall by an unrecorded maker, The Metropolitan Museum of Art

Tomb Chapel of Raemkai: South Wall

Unrecorded maker

ca. 2446–2389 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
The Story of Lot:  Lot Prevents the Sodomites from Violence by Heinrich Aldegrever, The Cleveland Museum of Art

The Story of Lot: Lot Prevents the Sodomites from Violence

Heinrich Aldegrever

1555 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lot Prevents the Sodomites from Violence, from The Story of Lot by Heinrich Aldegrever, The Metropolitan Museum of Art

Lot Prevents the Sodomites from Violence, from The Story of Lot

Heinrich Aldegrever (d. 1561)

1555 · Engraving

Cleared · Public Domain

live
The MetSimilar
Lazarus by Jan van der Straet, called Stradanus, The Metropolitan Museum of Art

Lazarus

Jan van der Straet, called Stradanus (d. 1605)

before 1605 · Pen and brown ink, over graphite; oval framing line in black chalk, by the artist

Cleared · Public Domain

live
The MetSimilar
A River Landscape with the Baptism of the Eunuch by Hendrick Hondius I, The Metropolitan Museum of Art

A River Landscape with the Baptism of the Eunuch

Hendrick Hondius I (d. 1650)

ca. 1605–25 · Pen and brown ink, brown and blue wash

Cleared · Public Domain

live
The MetSimilar
Mechanical table by Jean-François Oeben, The Metropolitan Museum of Art

Mechanical table

Jean-François Oeben (d. 1763)

ca. 1761–63 · Oak veneered with mahogany, kingwood, and tulipwood, with marquetry of mahogany, rosewood, holly, and various other woods; gilt-bronze mounts; imitation Japanese lacquer; replaced silk

Cleared · Public Domain

live
The MetSimilar
Adjustable reading and writing table (pupitre à crémaillère, servant de table) by Martin Carlin, The Metropolitan Museum of Art

Adjustable reading and writing table (pupitre à crémaillère, servant de table)

Martin Carlin (d. 1785)

ca. 1760–65 · Tulipwood; gilt bronze, brass, steel

Cleared · Public Domain

live
The MetSimilar
Job Reproved by His Friends by James Barry, The Metropolitan Museum of Art

Job Reproved by His Friends

James Barry (d. 1806)

dated 1777; issued ca. 1790 · Etching over traces of aquatint; third state of five

Cleared · Public Domain

live
The MetSimilar
The Barricade by Edouard Manet, The Metropolitan Museum of Art

The Barricade

Edouard Manet (d. 1883)

ca. 1871, published 1884 · Lithograph on chine collé; second state of two

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Macarena of Miracles

Audrey Flack (d. 2024)

1971 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jacket

Wild & Lethal Trash (d. 1993)

spring/summer 1996 · plastic (polyvinyl chloride)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jacket

Wild & Lethal Trash (d. 1993)

spring/summer 1996 · plastic (polyvinyl chloride)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.