Lot and His Family Fleeing from Sodom, from The Story of Lot
Heinrich Aldegrever (d. 1561)
1555 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
908 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
394 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Results for "Lot and His Family Fleeing from Sodom, f"11 records
Institutions answered newest-first by record, interleaved
Lot with His Daughters, from The Story of Lot
Heinrich Aldegrever (d. 1561)
1555 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata)
Domenico Paradisi (d. 1721)
designed ca. 1689–93, woven 1732–39 · Wool, silk (16-18 warps per inch, 7 per cm.)
Cleared · Public Domain
liveThe MetSimilar
Lot and His Daughters
Joseph Marie Vien (d. 1809)
1748 · Etching
Cleared · Public Domain
liveThe MetSimilar
Armchair (Fauteuil à la reine) (one of a pair) (part of a set)
Georges Jacob (d. 1814)
ca. 1780–85 · Carved and gilded walnut; embroidered silk satin
Cleared · Public Domain
liveThe MetSimilar
The Burning of Sodom (formerly "The Destruction of Sodom")
Camille Corot (d. 1875)
1843 and 1857 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lot and His Family Leaving the Burning Sodom, plate 5 from "The Disasters of the Jewish People"
Philips Galle (d. 1612)
1549 · Engraving; first state of three (New Hollstein)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lot and His Family Leaving the Burning Sodom, plate 5 from "The Disasters of the Jewish People"
Philips Galle (d. 1612)
1569 · Engraving; first state of three (New Hollstein)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lot and his family fleeing Sodom
Orazio Borgianni (d. 1616)
ca. 1616 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Angel from "The Flight of Lot and his Family from Sodom" by Rubens
Baron Louis-Auguste de Schwiter (d. 1889)
1826–89 · Pastel
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Figure from "The Flight of Lot and his Family from Sodom" by Rubens
Baron Louis-Auguste de Schwiter (d. 1889)
1826–89 · Pastel
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.