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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    603 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    283 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 43 matching records exist across the two collections.

Results for "Lot and His Family Leaving the Burning S"12 records

Institutions answered newest-first by record, interleaved

Lot with His Daughters, from The Story of Lot by Heinrich Aldegrever, The Metropolitan Museum of Art

Lot with His Daughters, from The Story of Lot

Heinrich Aldegrever (d. 1561)

1555 · Engraving

Cleared · Public Domain

live
The MetSimilar
Annunciation by Niccolò Roccatagliata, The Metropolitan Museum of Art

Annunciation

Niccolò Roccatagliata (d. 1636)

early 17th century · Bronze

Cleared · Public Domain

live
The MetSimilar
A Dictamnus by Balthasar van der Ast, The Metropolitan Museum of Art

A Dictamnus

Balthasar van der Ast (d. 1657)

ca. 1620–30 · Watercolor and gouache

Cleared · Public Domain

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The MetSimilar
Allegory of Autumn (Bacchus) by Filippo Parodi, The Metropolitan Museum of Art

Allegory of Autumn (Bacchus)

Filippo Parodi (d. 1702)

ca. 1670s · Carved poplar, varnished and gilt

Cleared · Public Domain

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The MetSimilar
Teakettle by Benjamin Brewood II, The Metropolitan Museum of Art

Teakettle

Benjamin Brewood II (d. 1855)

1762–63 · Silver

Cleared · Public Domain

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The MetSimilar
Visitors leaving a prison by Hubert Robert, The Metropolitan Museum of Art

Visitors leaving a prison

Hubert Robert (d. 1808)

1794–95 · Pen and dark gray ink, brush and gray wash with watercolor over black chalk underdrawing; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Ulysses Entering Troy with the Death of Astyanax by Giuseppe Piattoli, The Metropolitan Museum of Art

Ulysses Entering Troy with the Death of Astyanax

Giuseppe Piattoli (d. 1823)

1785–1800 · Pen and brown ink, brush and brown wash (recto); faint black chalk sketch of same subject (verso)

Cleared · Public Domain

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The MetSimilar
Pouch by an unrecorded maker, The Metropolitan Museum of Art

Pouch

Unrecorded maker

1830–60 · glass, linen, leather

Cleared · Public Domain

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The MetSimilar
Hosannah!, from "Dalziels' Bible Gallery" by Simeon Solomon, The Metropolitan Museum of Art

Hosannah!, from "Dalziels' Bible Gallery"

Simeon Solomon (d. 1905)

1863–81 · Wood engraving on India paper, mounted on thin card

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lot and His Family Leaving the Burning Sodom, plate 5 from "The Disasters of the Jewish People"

Philips Galle (d. 1612)

1549 · Engraving; first state of three (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lot and His Family Leaving the Burning Sodom, plate 5 from "The Disasters of the Jewish People"

Philips Galle (d. 1612)

1569 · Engraving; first state of three (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Darktown Fire Brigade -- Saved!

Thomas B. Worth (d. 1917)

1884 · Hand-colored lithograph

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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