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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    275 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    313 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 35 matching records exist across the two collections.

Results for "Louis XIII Listens to the Provost of the"12 records

Institutions answered newest-first by record, interleaved

Louis XIII Listens to the Provost of the Merchants of Paris on December 23, 1628 by Abraham Bosse, The Metropolitan Museum of Art

Louis XIII Listens to the Provost of the Merchants of Paris on December 23, 1628

Abraham Bosse (d. 1676)

1629 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Portrait of Louis XIII by Simon Vouet, The Metropolitan Museum of Art

Portrait of Louis XIII

Simon Vouet (d. 1649)

ca. 1632–35 · Black and white chalk with touches of pastel on light brown paper

Cleared · Public Domain

live
The MetSimilar
Almanach for 1639: Louis XIII and Anne of Austria entrusting the Kingdom and the Heir Apparent to the Virgin by Abraham Bosse, The Metropolitan Museum of Art

Almanach for 1639: Louis XIII and Anne of Austria entrusting the Kingdom and the Heir Apparent to the Virgin

Abraham Bosse (d. 1676)

1638 · Etching

Cleared · Public Domain

live
The MetSimilar
Louis XIII and Anne of Austria Presenting the Dauphin to the Virgin by Grégoire Huret, The Metropolitan Museum of Art

Louis XIII and Anne of Austria Presenting the Dauphin to the Virgin

Grégoire Huret (d. 1670)

1638 · Engraving

Cleared · Public Domain

live
The MetSimilar
Double Louis d’or of Louis XIII of France (b. 1601; r. 1610-43) by Jean Varin, The Metropolitan Museum of Art

Double Louis d’or of Louis XIII of France (b. 1601; r. 1610-43)

Jean Varin (d. 1672)

1641 · Gold

Cleared · Public Domain

live
The MetSimilar
Flintlock Gun of Louis XIII (1601–1643), King of France by Pierre Le Bourgeois, The Metropolitan Museum of Art

Flintlock Gun of Louis XIII (1601–1643), King of France

Pierre Le Bourgeois (d. 1627)

ca. 1620 · Steel, brass, silver, gold, wood (walnut), mother-of-pearl

Cleared · Public Domain

live
The MetSimilar
St. Louis in Glory by Simon Vouet, The Metropolitan Museum of Art

St. Louis in Glory

Simon Vouet (d. 1649)

ca. 1640–41 · Black chalk, heightened with white chalk, on beige paper; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
"Louis XIII" carpet by Savonnerie Manufactory, The Metropolitan Museum of Art

"Louis XIII" carpet

Savonnerie Manufactory (d. 2050)

ca. 1650–60 · Knotted and cut wool pile (Symmetrical knot) (woven with about 44 knots per sq. inch)

Cleared · Public Domain

live
The MetSimilar
Double Louis d’or of Louis XIV of France (b.1638; r. 1643–1715) by an unrecorded maker, The Metropolitan Museum of Art

Double Louis d’or of Louis XIV of France (b.1638; r. 1643–1715)

Unrecorded maker

1694 · Gold

Cleared · Public Domain

live
The MetSimilar
Double Louis d’or of Louis XVI of France (b. 1754-93; r. 1774–1792) by Pierre-Simon-Benjamin Duvivier, The Metropolitan Museum of Art

Double Louis d’or of Louis XVI of France (b. 1754-93; r. 1774–1792)

Pierre-Simon-Benjamin Duvivier (d. 1819)

1786 · Gold

Cleared · Public Domain

live
The MetSimilar
Jérusalem, croix en argent ciselé, donnée par Louis XIII à l'Eglise du Saint Sépulcre by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, croix en argent ciselé, donnée par Louis XIII à l'Eglise du Saint Sépulcre

Auguste Salzmann (d. 1872)

1854 · Salted paper prints from paper negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

First Plate on the Bottom at Lower Left, from an etching on six plates of a central battle scene framed by ten additional plates; "Siège de la Citadelle de St-Martin dans l'Île de Ré" (Siege of the Citadel of St. Martin on the Île de Ré)

Jacques Callot (d. 1635)

1628–30 · Etching; third state of three (Lieure)

In copyright

live
The MetSimilar

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