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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    232 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    295 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 20 matching records exist across the two collections.

Results for "Louis XIV at the Siege of Douai, Seen fr"12 records

Institutions answered newest-first by record, interleaved

Watch with scenes from the story of Rebekah at the well by Johannes van Ceulen, The Metropolitan Museum of Art

Watch with scenes from the story of Rebekah at the well

Johannes van Ceulen (d. 1715)

ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

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The MetSimilar
Louis XIV at the Siege of Cambrai, Seen from the South-West (March 20–April 19, 1677) by Adam Frans van der Meulen, The Metropolitan Museum of Art

Louis XIV at the Siege of Cambrai, Seen from the South-West (March 20–April 19, 1677)

Adam Frans van der Meulen (d. 1690)

probably 1680s · Red chalk, over black chalk; squared in black chalk; framing lines in pen and black ink

Cleared · Public Domain

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The MetSimilar
Louis XIV at the Siege of Douai, Seen from the South-East (July 1–6, 1667) by Adam Frans van der Meulen, The Metropolitan Museum of Art

Louis XIV at the Siege of Douai, Seen from the South-East (July 1–6, 1667)

Adam Frans van der Meulen (d. 1690)

17th century · Black chalk, brush and gray wash; framing lines in pen and black ink

Cleared · Public Domain

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The MetSimilar
Louis XIV at the Siege of Tournai, Seen from the North-East (June 21–25, 1667) by Adam Frans van der Meulen, The Metropolitan Museum of Art

Louis XIV at the Siege of Tournai, Seen from the North-East (June 21–25, 1667)

Adam Frans van der Meulen (d. 1690)

n.d. · Black chalk, brush and gray wash; framing lines in pen and black ink

Cleared · Public Domain

live
The MetSimilar
Louis XIV: Birth of the duc de Berry, 31 August 1686 by Jean Mauger, The Metropolitan Museum of Art

Louis XIV: Birth of the duc de Berry, 31 August 1686

Jean Mauger (d. 1722)

1693 · Bronze with partial gilding

Cleared · Public Domain

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The MetSimilar
Elector Maximilian II Emanuel of Bavaria on Horseback by Roger Schabol, The Metropolitan Museum of Art

Elector Maximilian II Emanuel of Bavaria on Horseback

Roger Schabol (d. 1714)

cast 1707 · Bronze, with gilt-bronze base of about two decades later

Cleared · Public Domain

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The MetSimilar
Reclining River God by Louis de Boullogne the Younger, The Metropolitan Museum of Art

Reclining River God

Louis de Boullogne the Younger (d. 1733)

1694–1715 · Black chalk, heightened with white chalk on blue paper

Cleared · Public Domain

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The MetSimilar
Troops on the March by Jean-Baptiste Joseph Pater, The Metropolitan Museum of Art

Troops on the March

Jean-Baptiste Joseph Pater (d. 1736)

ca. 1725 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
Bit Boss by an unrecorded maker, The Metropolitan Museum of Art

Bit Boss

Unrecorded maker

first half 18th century · Copper alloy

Cleared · Public Domain

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The MetSimilar
Louis XV (1710–1774), King of France by Jean-Baptiste Lemoyne the Younger, The Metropolitan Museum of Art

Louis XV (1710–1774), King of France

Jean-Baptiste Lemoyne the Younger (d. 1778)

1757 · White marble

Cleared · Public Domain

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The MetSimilar
The Waterworks at Marli, and St. German en Laye seen in the distance (La Machine de Marli, avec une vue eloignée de St. German en Laye) by Thomas Girtin, The Metropolitan Museum of Art

The Waterworks at Marli, and St. German en Laye seen in the distance (La Machine de Marli, avec une vue eloignée de St. German en Laye)

Thomas Girtin (d. 1802)

1803 · Soft-ground etching and aquatint

Cleared · Public Domain

live
The MetSimilar
Bonaparte reviving the city of Lyon by Pierre Henri Revoil, The Metropolitan Museum of Art

Bonaparte reviving the city of Lyon

Pierre Henri Revoil (d. 1842)

ca. 1800–04 · Pen and brown ink, brush and brown wash, over black chalk, heightened with white gouache

Cleared · Public Domain

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The MetSimilar

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