
The Judgment of Paris
Lucas Cranach the Elder (d. 1553)
ca. 1528 · Oil on beech
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
360 ms. The Metropolitan Museum of Art, Collection API (Open Access)
304 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 292 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Judgment of Paris
Lucas Cranach the Elder (d. 1553)
ca. 1528 · Oil on beech
Cleared · Public Domain
live
The Declaration of Love
Jean François de Troy (d. 1752)
ca. 1724 · Oil on canvas
Cleared · Public Domain
live![Snuffbox inscribed “L'Amour Vainqueur” [Love Conquers] by an unrecorded maker, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/es/web-large/DP-33640-001.jpg)
Snuffbox inscribed “L'Amour Vainqueur” [Love Conquers]
Unrecorded maker
ca. 1765–1770 · Enamel on copper
Cleared · Public Domain
live
Soap Bubbles
Thomas Couture (d. 1879)
ca. 1859 · Oil on canvas
Cleared · Public Domain
live
L'Écolier, from "L'Univers Illustré"
Henry Linton (d. 1899)
May 16, 1861 · Wood engraving
Cleared · Public Domain
live
Love Among the Schoolboys
Simeon Solomon (d. 1905)
1865 · Pen and ink over traces of graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sine Cerere et Baccho Friget Venus, titlepage to Johannes van Heemskerck's poem "Publii Ovidii Nasonis Minne-Kunst," probably the first edition of title, frontispiece and eleven plates
David Vinckboons (d. 1629)
1622–27 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Child Among the Rocks, from "Picture Poesies"
Arthur Boyd Houghton (d. 1875)
first published 1865, reissued 1874 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Love
Paul-Albert Besnard (d. 1934)
1885–87 · Etching; second state of three; rare
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Love Among the Ruins
Evelyn Waugh
1953
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fag Puddle with Candle, Shoe, and Flag
Salman Toor (d. 9999)
2022 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.