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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    555 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    310 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 18 matching records exist across the two collections.

Results for "Love Token"12 records

Institutions answered newest-first by record, interleaved

Ornament: Love Token by an unrecorded maker, The Metropolitan Museum of Art

Ornament: Love Token

Unrecorded maker

220 · Jade

Cleared · Public Domain

live
The MetSimilar
Plum Blossoms and Peonies by Gao Fenghan, The Cleveland Museum of Art

Plum Blossoms and Peonies

Gao Fenghan (d. 1749)

1741 · Painting, handscroll; ink on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ring by an unrecorded maker, The Metropolitan Museum of Art

Ring

Unrecorded maker

12th century · Gold; cast and fabricated from sheet, decorated with bitumen-highlighted incising, set with tourmaline bead

Cleared · Public Domain

live
The MetSimilar
Sampler by an unrecorded maker, The Cleveland Museum of Art

Sampler

Unrecorded maker

1821 · Sampler, embroidery; silk on woolen canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Book cover illustrated with scenes from Kalidasa’s Shakuntala by an unrecorded maker, The Metropolitan Museum of Art

Book cover illustrated with scenes from Kalidasa’s Shakuntala

Unrecorded maker

ca. 12th century · Ink and color on wood

Cleared · Public Domain

live
The MetSimilar
Coffret by an unrecorded maker, The Metropolitan Museum of Art

Coffret

Unrecorded maker

14th century · Embossed leather, walnut, gilding, polychromy, copper alloy and iron fittings

Cleared · Public Domain

live
The MetSimilar
Pair of gloves by an unrecorded maker, The Metropolitan Museum of Art

Pair of gloves

Unrecorded maker

ca. 1600 · Leather, satin worked with silk and precious metal thread, seed pearls; satin, couching, and darning stitches; metal bobbin lace; paper

Cleared · Public Domain

live
The MetSimilar
Purse by an unrecorded maker, The Metropolitan Museum of Art

Purse

Unrecorded maker

late 17th century · Silk and metal thread

Cleared · Public Domain

live
The MetSimilar
Love Token by an unrecorded maker, The Metropolitan Museum of Art

Love Token

Unrecorded maker

ca. 1800 · Watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Love Token by an unrecorded maker, The Metropolitan Museum of Art

Love Token

Unrecorded maker

ca. 1800 · Ink and watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Souvenir by an unrecorded maker, The Metropolitan Museum of Art

Souvenir

Unrecorded maker

between 1830 and 1870

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Love Token

L. Raffey

ca. 1810–20 · Lithography, watercolor

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.