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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    255 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    271 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Lover's Tryst"11 records

Institutions answered newest-first by record, interleaved

Palace banquet by Unidentified artist, The Metropolitan Museum of Art

Palace banquet

Unidentified artist

1000 · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Lover's Tryst by an unrecorded maker, The Cleveland Museum of Art

Lover's Tryst

Unrecorded maker

1750–1800 · Painting, Gum tempera and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Marriage chest (cassone) by an unrecorded maker, The Metropolitan Museum of Art

Marriage chest (cassone)

Unrecorded maker

ca. 1480–95 · Poplar wood; painted and gilded gesso

Cleared · Public Domain

live
The MetSimilar
A heroine waiting for her lover: Vasakasajja Nayika, from the "Nurpur" Rasikapriya by an unrecorded maker, The Cleveland Museum of Art

A heroine waiting for her lover: Vasakasajja Nayika, from the "Nurpur" Rasikapriya

Unrecorded maker

c. 1750 · Painting, Gum tempera and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lovers by Isoda Koryūsai, The Metropolitan Museum of Art

Lovers

Isoda Koryūsai (d. 1790)

1770 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala by an unrecorded maker, The Cleveland Museum of Art

The Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala

Unrecorded maker

c. 1600 · Painting, Gum tempera and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Parting of Lovers: The Morning After by Suzuki Harunobu, The Metropolitan Museum of Art

Parting of Lovers: The Morning After

Suzuki Harunobu (d. 1770)

ca. 1765–70 · Woodblock print; chuban yoko-e; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Escapade at Night: by Chokha, The Metropolitan Museum of Art

Escapade at Night:

Chokha (d. 1826)

ca. 1800–10 · Opaque watercolor, ink and gold on paper

Cleared · Public Domain

live
The MetSimilar
Hototogisu by Kubo Shunman, The Metropolitan Museum of Art

Hototogisu

Kubo Shunman (d. 1820)

early 19th century · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Noh Costume (Karaori) with Cypress Fans and Moonflower (Yūgao) Blossoms by an unrecorded maker, The Metropolitan Museum of Art

Noh Costume (Karaori) with Cypress Fans and Moonflower (Yūgao) Blossoms

Unrecorded maker

18th–early 19th century · Twill-weave silk with brocading in silk and supplementary-weft patterning in silk and metallic thread

Cleared · Public Domain

live
The MetSimilar
Krishna and Radha by Becharam Das Dutta, The Metropolitan Museum of Art

Krishna and Radha

Becharam Das Dutta

dated equivalent to July 20, 1856 · Lithograph printed in black, with watercolor and selectively applied glaze

Cleared · Public Domain

live
The MetSimilar

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