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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    407 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Lovers Embracing"10 records

Institutions answered newest-first by record, interleaved

Lovers Embracing by an unrecorded maker, The Cleveland Museum of Art

Lovers Embracing

Unrecorded maker

c. 1630 · Painting, Gum tempera and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lovers (Mithuna) by an unrecorded maker, The Cleveland Museum of Art

Lovers (Mithuna)

Unrecorded maker

1000s · Sculpture, sandstone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lovers Embracing (Raga Malkaus) by an unrecorded maker, The Cleveland Museum of Art

Lovers Embracing (Raga Malkaus)

Unrecorded maker

c. 1760 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night by an unrecorded maker, The Cleveland Museum of Art

The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Fall of the Angels by Auguste Rodin, The Cleveland Museum of Art

The Fall of the Angels

Auguste Rodin (d. 1917)

c. 1890–1900 · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The lover of Hamnaz, who has been hanged from the gallows, bites off her nose when she kisses him, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night by an unrecorded maker, The Cleveland Museum of Art

The lover of Hamnaz, who has been hanged from the gallows, bites off her nose when she kisses him, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Parrot Addresses Khujasta at the Beginning of the Twenty-sixth Night, from a Tuti-nama (Tales of a Parrot) by an unrecorded maker, The Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Twenty-sixth Night, from a Tuti-nama (Tales of a Parrot)

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Dante and Virgil Meeting the Shades of Francesca da Rimini and Paolo by Ary Scheffer, The Cleveland Museum of Art

Dante and Virgil Meeting the Shades of Francesca da Rimini and Paolo

Ary Scheffer (d. 1858)

1851 · Painting, oil on fabric

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The young man of Baghdad reunited with his slave-girl, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night by an unrecorded maker, The Cleveland Museum of Art

The young man of Baghdad reunited with his slave-girl, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The lover’s son makes an elephant of the pastry dough carried by the unfaithful wife and puts it in her basket, from a Tuti-nama (Tales of a Parrot): Eighth Night by an unrecorded maker, The Cleveland Museum of Art

The lover’s son makes an elephant of the pastry dough carried by the unfaithful wife and puts it in her basket, from a Tuti-nama (Tales of a Parrot): Eighth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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