A Woman Playing the Theorbo-Lute and a Cavalier
Gerard ter Borch the Younger (d. 1681)
ca. 1658 · Oil on wood
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
2161 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
262 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 128 matching records exist across the two collections.
Results for "Lovers at a sewing table"12 records
Institutions answered newest-first by record, interleaved
Kalamkari Rumal
Unrecorded maker
ca. 1640–50 · Cotton; plain weave, mordant painted and dyed, resist dyed
Cleared · Public Domain
liveThe MetSimilar
Lovers at a sewing table
Meissen Manufactory (d. 9999)
ca. 1745 · Hard-paste porcelain
Cleared · Public Domain
liveThe MetSimilar
Two Studies of a Young Girl (possibly Louise-Reine Guffroy)(recto); A Study of a seated man with sketches of his hand, a girl, and a head (verso)
Adélaïde-Marie-Anne Castellas-Moitte (d. 1807)
ca. 1797 · Pen and brown ink (recto); graphite, pen and brown ink (verso)
Cleared · Public Domain
liveThe MetSimilar
Work Table
Unrecorded maker
1800–1810 · Mahogany, bird's-eye maple
Cleared · Public Domain
liveThe MetSimilar
Work Table
Unrecorded maker
1800–1810 · Bird’s-eye maple, mahogany with yellow poplar, white pine
Cleared · Public Domain
liveThe MetSimilar
Worktable
Unrecorded maker
1805–10 · Mahogany, mahogany veneer, ivory with white pine, maple, mahogany
Cleared · Public Domain
liveThe MetSimilar
Hope Told a Flattering Tale
William Heath ('Paul Pry') (d. 1840)
ca. 1828 · Hand-colored etching
Cleared · Public Domain
liveThe MetSimilar
Marble-top table
Theophil Hansen (d. 1891)
ca. 1855–65 · Belgian black marble and semi-precious stones; painted pine, ebonized fruitwood; brass, gilt bronze
Cleared · Public Domain
liveThe MetSimilar
Sewing Table
Peter Glass (d. 1895)
1865–75 · Rosewood
Cleared · Public Domain
liveThe MetSimilar
Women Sewing at a Table
Eugène Carrière (d. 1906)
ca. 1894–96 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Candelstand and worktable (table à ouvrage en guéridon)
Roger Vandercruse, called Lacroix (d. 1799)
ca. 1785 · Oak veneered with tulipwood, boxwood, holly and ebonized holly, sycamore, and other woods; soft-paste porcelain, gilt bronze, silk
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.