Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    370 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    373 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 80 matching records exist across the two collections.

Results for "Low Tide"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Low Tide

Julian Levi (d. 1982)

1940s · Lithograph

In copyright

live
The MetSimilar
A Low Tide Pentaptych by Utagawa Kuniyoshi, The Cleveland Museum of Art

A Low Tide Pentaptych

Utagawa Kuniyoshi (d. 1861)

c. 1830 · Print, Pentaptych of color woodblock prints

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Low Tide

Samuel L. Margolies (d. 1974)

1915–54 · Aquatint, first state

In copyright

live
The MetSimilar
Low Tide at Pourville, near Dieppe, 1882 by Claude Monet, The Cleveland Museum of Art

Low Tide at Pourville, near Dieppe, 1882

Claude Monet (d. 1926)

1882 · Painting, oil on fabric

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Low Tide

Samuel L. Margolies (d. 1974)

1915–54 · Aquatint, second state

In copyright

live
The MetSimilar
Low Tide, Oporto by Orville Houghton Peets, The Cleveland Museum of Art

Low Tide, Oporto

Orville Houghton Peets (d. 1968)

c. 1924 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Low Tide

Samuel L. Margolies (d. 1974)

1915–54 · Aquatint, third and final state

In copyright

live
The MetSimilar
Gathering Shellfish at Low Tide at Susaki, from Famous Places in Edo by Utagawa Hiroshige, The Cleveland Museum of Art

Gathering Shellfish at Low Tide at Susaki, from Famous Places in Edo

Utagawa Hiroshige (d. 1858)

mid-1830s · Print, color woodblock print

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Low Tide

Sears Gallagher (d. 1955)

ca. 1911–55 · Etching with drypoint

In copyright

live
The MetSimilar
Fifth Print from A Low Tide Pentaptych by Utagawa Kuniyoshi, The Cleveland Museum of Art

Fifth Print from A Low Tide Pentaptych

Utagawa Kuniyoshi (d. 1861)

c. 1830 · Print, color woodblock print from a pentaptych

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Low Tide

Louis J. Guerrera (d. 1980)

ca. 1911–55 · Etching with drypoint

In copyright

live
The MetSimilar
Second Print from A Low Tide Pentaptych by Utagawa Kuniyoshi, The Cleveland Museum of Art

Second Print from A Low Tide Pentaptych

Utagawa Kuniyoshi (d. 1861)

c. 1830 · Print, color woodblock print from a pentaptych

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.