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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    263 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    400 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Lucas and Cornelius van Wael"12 records

Institutions answered newest-first by record, interleaved

Haman begs Esther for his Life by Pseudo-Aert Ortkens, The Metropolitan Museum of Art

Haman begs Esther for his Life

Pseudo-Aert Ortkens (d. 1540)

16th–mid 16th century ? · Pen and brown ink, with brush and black ink, highlighted with white gouache

Cleared · Public Domain

live
The MetSimilar
King Ahasuerus in Council by Pseudo-Aert Ortkens, The Metropolitan Museum of Art

King Ahasuerus in Council

Pseudo-Aert Ortkens (d. 1540)

16th–mid 16th century ? · Pen and brown ink, brush and black ink on greenish paper, highlighted with white

Cleared · Public Domain

live
The MetSimilar
Mordecai overhears the two Conspirators plotting against the  King. by Pseudo-Aert Ortkens, The Metropolitan Museum of Art

Mordecai overhears the two Conspirators plotting against the King.

Pseudo-Aert Ortkens (d. 1540)

16th–mid 16th century ? · Pen and brown ink, brush and black ink on greenish paper, highlighted with white

Cleared · Public Domain

live
The MetSimilar
Mordecai rides through the Streets in the Apparel the King has sent him. by Pseudo-Aert Ortkens, The Metropolitan Museum of Art

Mordecai rides through the Streets in the Apparel the King has sent him.

Pseudo-Aert Ortkens (d. 1540)

16th–mid 16th century ? · Pen and brown ink, brush and black ink, highlighted with white

Cleared · Public Domain

live
The MetSimilar
Queen Esther hears of the Decree against the Jews. by Pseudo-Aert Ortkens, The Metropolitan Museum of Art

Queen Esther hears of the Decree against the Jews.

Pseudo-Aert Ortkens (d. 1540)

16th–mid 16th century ? · Pen and brown ink, brush and brown ink on greenish paper, highlighted with white

Cleared · Public Domain

live
The MetSimilar
The Greatness of Mordecai by Pseudo-Aert Ortkens, The Metropolitan Museum of Art

The Greatness of Mordecai

Pseudo-Aert Ortkens (d. 1540)

16th–mid 16th century ? · Pen and brown ink, brush and black ink, highlighted with white

Cleared · Public Domain

live
The MetSimilar
The King and Haman at Esther's Banquet of Wine by Pseudo-Aert Ortkens, The Metropolitan Museum of Art

The King and Haman at Esther's Banquet of Wine

Pseudo-Aert Ortkens (d. 1540)

16th–mid 16th century ? · Pen and brown ink, brush and black ink

Cleared · Public Domain

live
The MetSimilar
Adam and Eve Mourning the Death of Abel by Michiel Coxie (I), The Metropolitan Museum of Art

Adam and Eve Mourning the Death of Abel

Michiel Coxie (I) (d. 1592)

ca. 1576 · Pen and brown ink, brush and brown wash, heightened with white gouache, over black chalk; framing lines in pen and brown ink, by the artist; incised for transfer; verso covered with red chalk for transfer

Cleared · Public Domain

live
The MetSimilar
Lucas and Cornelius van Wael by Wenceslaus Hollar, The Metropolitan Museum of Art

Lucas and Cornelius van Wael

Wenceslaus Hollar (d. 1677)

1646 · Etching; fourth state of four (NH)

Cleared · Public Domain

live
The MetSimilar
Tobit burying the Dead by Giovanni Benedetto Castiglione (Il Grechetto), The Metropolitan Museum of Art

Tobit burying the Dead

Giovanni Benedetto Castiglione (Il Grechetto) (d. 1664)

ca. 1647–51 · Etching

Cleared · Public Domain

live
The MetSimilar
Portrait of a Man by Jacob Backer, The Metropolitan Museum of Art

Portrait of a Man

Jacob Backer (d. 1651)

ca. 1645–50 · Black chalk, heightened with white, with touches of red chalk (recto); pen and brown ink, brush and gray wash over black chalk (verso)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lucas and Cornelius de Wael

Wenceslaus Hollar (d. 1677)

1646 · Etching; first state of four (NH)

In copyright

live
The MetSimilar

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