Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    639 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    614 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,208 matching records exist across the two collections.

Results for "Luxury Inlaid Container"12 records

Institutions answered newest-first by record, interleaved

Wine container (zun) by an unrecorded maker, The Metropolitan Museum of Art

Wine container (zun)

Unrecorded maker

13th century BCE · Bronze inlaid with black pigment

Cleared · Public Domain

live
The MetSimilar
Luxury Inlaid Container by an unrecorded maker, The Cleveland Museum of Art

Luxury Inlaid Container

Unrecorded maker

c. 1250–1350 · Metalwork, sheet brass, inlaid with silver and gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Wine container (fou) by an unrecorded maker, The Metropolitan Museum of Art

Wine container (fou)

Unrecorded maker

ca. 6th–5th century BCE · Bronze inlaid with barium pigment

Cleared · Public Domain

live
The MetSimilar
Wine container (hu) by an unrecorded maker, The Metropolitan Museum of Art

Wine container (hu)

Unrecorded maker

early 5th century BCE · Bronze inlaid with copper

Cleared · Public Domain

live
The MetSimilar
Wine container (hu) by an unrecorded maker, The Metropolitan Museum of Art

Wine container (hu)

Unrecorded maker

5th century BCE · Bronze inlaid with copper

Cleared · Public Domain

live
The MetSimilar
Wine container (hu) by an unrecorded maker, The Metropolitan Museum of Art

Wine container (hu)

Unrecorded maker

5th–4th century BCE · Bronze, bronze inlay

Cleared · Public Domain

live
The MetSimilar
Wine Container (Bianhu) by an unrecorded maker, The Metropolitan Museum of Art

Wine Container (Bianhu)

Unrecorded maker

4th–3rd century BCE · Bronze inlaid with copper

Cleared · Public Domain

live
The MetSimilar
Container with Spiral Decoration by an unrecorded maker, The Metropolitan Museum of Art

Container with Spiral Decoration

Unrecorded maker

ca. 500 BCE–300 CE · Bronze

Cleared · Public Domain

live
The MetSimilar
Container by an unrecorded maker, The Metropolitan Museum of Art

Container

Unrecorded maker

early 13th century · Bronze, inlaid with silver

Cleared · Public Domain

live
The MetSimilar
Pen Case by an unrecorded maker, The Metropolitan Museum of Art

Pen Case

Unrecorded maker

15th–16th century · Iron inlaid with gold

Cleared · Public Domain

live
The MetSimilar
Inlaid Powder Horn by an unrecorded maker, The Metropolitan Museum of Art

Inlaid Powder Horn

Unrecorded maker

18th century · Wood overlaid with horn, mother-of-pearl, and ivory; silver

Cleared · Public Domain

live
The MetSimilar
Match container with cover (part of a set) by Johann Bernhard Hertz (Hentz), The Metropolitan Museum of Art

Match container with cover (part of a set)

Johann Bernhard Hertz (Hentz) (d. 1855)

1848–49 · Silver

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.