Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    195 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    270 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 17 matching records exist across the two collections.

Results for "Mémoires du Comte de Grammont : histoire"12 records

Institutions answered newest-first by record, interleaved

Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Autruche (Ostrich), from "Histoire Naturelle de Oiseaux" by François Nicolas Martinet, The Metropolitan Museum of Art

Autruche (Ostrich), from "Histoire Naturelle de Oiseaux"

François Nicolas Martinet (d. 1809)

1770–86 · Hand-colored etching and engraving

Cleared · Public Domain

live
The MetSimilar
Courly à tête nu, du Cap de bonne Esperance (Bald Ibis from the Cape of Good Hope), from "Histoire Naturelle de Oiseaux" by François Nicolas Martinet, The Metropolitan Museum of Art

Courly à tête nu, du Cap de bonne Esperance (Bald Ibis from the Cape of Good Hope), from "Histoire Naturelle de Oiseaux"

François Nicolas Martinet (d. 1809)

1770–86 · Hand-colored etching and engraving

Cleared · Public Domain

live
The MetSimilar
L'Aigrette (Egret), from "Histoire Naturelle de Oiseaux" by François Nicolas Martinet, The Metropolitan Museum of Art

L'Aigrette (Egret), from "Histoire Naturelle de Oiseaux"

François Nicolas Martinet (d. 1809)

1770–86 · Hand-colored etching and engraving

Cleared · Public Domain

live
The MetSimilar
Mantel clock with musical movement by Jean-Baptiste-André Furet, The Metropolitan Museum of Art

Mantel clock with musical movement

Jean-Baptiste-André Furet (d. 1807)

ca. 1784 · Case: gilded and lacquered bronze and marble; Movement (in bust): brass and steel with enameled hour and minute chapter rings (in head); Miniature organ with pipes and bellows (in base): brass, steel, and leather

Cleared · Public Domain

live
The MetSimilar
Armchair (Fauteuil à la reine) (one of a pair) (part of a set) by Georges Jacob, The Metropolitan Museum of Art

Armchair (Fauteuil à la reine) (one of a pair) (part of a set)

Georges Jacob (d. 1814)

ca. 1780–85 · Carved and gilded walnut; embroidered silk satin

Cleared · Public Domain

live
The MetSimilar
Turdoide ensanglanté, male [current name: Flame-throated Bulbul. Rubigula gularis] by Jean-Gabriel Prêtre, The Metropolitan Museum of Art

Turdoide ensanglanté, male [current name: Flame-throated Bulbul. Rubigula gularis]

Jean-Gabriel Prêtre (d. 1849)

1821 · Watercolor and gouache

Cleared · Public Domain

live
The MetSimilar
Pedestal [for Woman from the French Colonies] by Charles-Henri-Joseph Cordier, The Metropolitan Museum of Art

Pedestal [for Woman from the French Colonies]

Charles-Henri-Joseph Cordier (d. 1905)

1861 · Red and white marble pedestal with gilt-bronze mounts and ornaments

Cleared · Public Domain

live
The MetSimilar
Woman from the French Colonies by Charles-Henri-Joseph Cordier, The Metropolitan Museum of Art

Woman from the French Colonies

Charles-Henri-Joseph Cordier (d. 1905)

1861 · Algerian onyx-marble, bronze, and enamel; white marble socle

Cleared · Public Domain

live
The MetSimilar
Girl in a Straw Bonnet by Albert-Ernest Carrier-Belleuse, The Metropolitan Museum of Art

Girl in a Straw Bonnet

Albert-Ernest Carrier-Belleuse (d. 1887)

ca. 1868–70 · Terracotta with wood base

Cleared · Public Domain

live
The MetSimilar
Mémoires du Comte de Grammont : histoire amoureuse de la cour d'Angleterre sous Charles II / par Antoine Hamilton ; préface et notes par Benjamin Pifteau by Count Anthony Hamilton, The Metropolitan Museum of Art

Mémoires du Comte de Grammont : histoire amoureuse de la cour d'Angleterre sous Charles II / par Antoine Hamilton ; préface et notes par Benjamin Pifteau

Count Anthony Hamilton (d. 1720)

1876

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.