
Fragment from the Tomb of John the Fearless and Margaret of Bavaria, Duke and Duchess of Burgundy
Jean de la Huerta (d. 1462)
ca. 1443–55 · Alabaster
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
417 ms. The Metropolitan Museum of Art, Collection API (Open Access)
397 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 561 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragment from the Tomb of John the Fearless and Margaret of Bavaria, Duke and Duchess of Burgundy
Jean de la Huerta (d. 1462)
ca. 1443–55 · Alabaster
Cleared · Public Domain
live
Préparation for a Portrait of Louis XV (1710-1774)
Maurice Quentin de La Tour (d. 1788)
ca.1745 · Pastel on blue paper, arched top
Cleared · Public Domain
live
The Sacrifice of Iphigenia
Charles de la Fosse (d. 1716)
ca. 1755–60 · Enamel on copper
Cleared · Public Domain
live
Made for the Administration de la Monnaie et Paris: entitled La Peinture
Alexandre-Louis-Marie Charpentier (d. 1909)
late 19th century · Bronze, struck, oblong, octagon, double
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Eighth plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II"
Abbé Bernard de Montfaucon (d. 1741)
1730 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fifth plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II"
Abbé Bernard de Montfaucon (d. 1741)
1730 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fourth plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II"
Abbé Bernard de Montfaucon (d. 1741)
1730 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seventh plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II"
Abbé Bernard de Montfaucon (d. 1741)
1730 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Third plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II"
Abbé Bernard de Montfaucon (d. 1741)
1730 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Château de Clisson (Loire-Atlantique)
Henri Marie Pierre de La Blanchère (d. 1880)
ca. 1855 · Salted paper print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Broken Glass]
Emmanuel de la Villéon (d. 1944)
1903 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Incidentes melódicos del mundo irracional (Melodic Incidents of an Irrational World)
Juan de la Cabada (d. 1986)
1944 · Codex-form book with relief illustrations (wood engraving, linocut, scratch board), letterpress
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.