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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    405 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    650 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Madonna and Child in Glory Adored by Ang"10 records

Institutions answered newest-first by record, interleaved

Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel by Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo), The Metropolitan Museum of Art

Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel

Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (d. 1536)

early 1490s · Tempera on wood

Cleared · Public Domain

live
The MetSimilar
Madonna in Glory Crowned by Angels by Anonymous, German, 15th century, The Metropolitan Museum of Art

Madonna in Glory Crowned by Angels

Anonymous, German, 15th century (d. 1500)

15th century · Woodcut, hand-colored

Cleared · Public Domain

live
The MetSimilar
Madonna in Glory Crowned by Angels (Schr. 1111c) by Anonymous, German, The Metropolitan Museum of Art

Madonna in Glory Crowned by Angels (Schr. 1111c)

Anonymous, German (d. 2050)

ca. 1500 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Marriage Panel of Gabriel Weydacher and his wife Juliana Wemis with the Virgin and Child and Saints Barbara and Catherine by Leonhard Beck, The Metropolitan Museum of Art

Marriage Panel of Gabriel Weydacher and his wife Juliana Wemis with the Virgin and Child and Saints Barbara and Catherine

Leonhard Beck (d. 1542)

1519 · Colorless and pot-metal glass with vitreous paint and silver stain

Cleared · Public Domain

live
The MetSimilar
Virgin and Child, and Saint John the Baptist (recto); Summary sketches, possibly the Virgin and Child (verso) by Jacob de Backer, The Metropolitan Museum of Art

Virgin and Child, and Saint John the Baptist (recto); Summary sketches, possibly the Virgin and Child (verso)

Jacob de Backer (d. 1600)

ca. 1580–90 · Brown and black oil with white heightening (recto); black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
The Virgin and Child in Glory Adored by Saints Catherine and Lucy by Dirck Hendricksz., called Centen, also called Teodoro d'Errico, The Metropolitan Museum of Art

The Virgin and Child in Glory Adored by Saints Catherine and Lucy

Dirck Hendricksz., called Centen, also called Teodoro d'Errico (d. 1618)

mid-16th–early 17th century · Black chalk, pen and brown ink, brush and brown wash, heightened with white chalk

Cleared · Public Domain

live
The MetSimilar
Madonna and Child in Glory Adored by Angels by Bernardino Rodriguez ("Bernardino Siciliano"), The Metropolitan Museum of Art

Madonna and Child in Glory Adored by Angels

Bernardino Rodriguez ("Bernardino Siciliano") (d. 1650)

1600–1650 · Pen and brown ink, brush and blue wash; squared for transfer in black chalk

Cleared · Public Domain

live
The MetSimilar
Box by an unrecorded maker, The Metropolitan Museum of Art

Box

Unrecorded maker

18th century · Bone or ivory

Cleared · Public Domain

live
The MetSimilar
Virgin and Child Adored by a Lute-Playing Angel by Jean-Jacques Feuchère, The Metropolitan Museum of Art

Virgin and Child Adored by a Lute-Playing Angel

Jean-Jacques Feuchère (d. 1852)

1820–52 · Graphite, brush and gray wash with gouache and touches of gold on heavy cream wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs

Timothy Cole (d. 1931)

1892 · Wood engraving on Japan paper

In copyright

live
The MetSimilar

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