Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    320 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    338 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 22 matching records exist across the two collections.

Results for "Madrid. Musée de Peinture"12 records

Institutions answered newest-first by record, interleaved

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso) by Leonardo da Vinci, The Metropolitan Museum of Art

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)

Leonardo da Vinci (d. 1519)

1496 · Pen and brown ink (recto and verso)

Cleared · Public Domain

live
The MetSimilar
The Goddess Diana as a Personification of the Moon (Luna) by Jacques Jonghelinck, The Metropolitan Museum of Art

The Goddess Diana as a Personification of the Moon (Luna)

Jacques Jonghelinck (d. 1606)

1563–85 · Pen and brown ink, brush and brown and blue wash, red chalk, white gouache, over black chalk; squared in black chalk

Cleared · Public Domain

live
The MetSimilar
Armchair (fauteuil à la reine) by an unrecorded maker, The Metropolitan Museum of Art

Armchair (fauteuil à la reine)

Unrecorded maker

ca. 1690–1710 · Carved and gilded walnut, late 17th-century wool velvet (not original)

Cleared · Public Domain

live
The MetSimilar
Plaque (tableau) by Sèvres Manufactory, The Metropolitan Museum of Art

Plaque (tableau)

Sèvres Manufactory (d. 9999)

1761 · Soft-paste porcelain decorated in polychrome enamels

Cleared · Public Domain

live
The MetSimilar
Portrait of Monsieur Aublet by Guillaume Voiriot, The Metropolitan Museum of Art

Portrait of Monsieur Aublet

Guillaume Voiriot (d. 1799)

ca. 1782 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Portrait of the Artist Johann Christian Reinhart by José de Madrazo, The Metropolitan Museum of Art

Portrait of the Artist Johann Christian Reinhart

José de Madrazo (d. 1859)

1811 · Etching; proof

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Annales du Musee et de l'Ecole Moderne des Beaux-Arts, recueil de gravures au trait, d'après les principaux ouvrages de peinture, sculpture ou projets d'architecture, qui, chaque année, ont remporté le prix, soit aux écoles spéciales, soit aux concours nationaux ; les productions des artistes en tous genres, qui, aux différentes expositions, ont été citées avec éloges ; les morceaux les plus estimés de la galerie de peinture ; la suite complète de celle des antiques ; édifices publics, etc., vol. 1

Didot, le Jeune

1801

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Annales du Musee et de l'Ecole Moderne des Beaux-Arts, recueil de gravures au trait, d'après les principaux ouvrages de peinture, sculpture ou projets d'architecture, qui, chaque année, ont remporté le prix, soit aux écoles spéciales, soit aux concours nationaux ; les productions des artistes en tous genres, qui, aux différentes expositions, ont été citées avec éloges ; les morceaux les plus estimés de la galerie de peinture ; la suite complète de celle des antiques ; édifices publics, etc., vol. 2

Didot, le Jeune

1802

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Madrid. Musée de Peinture

Louis de Clercq (d. 1901)

1860 · Albumen silver print from paper negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lustful group consisting of two young men and a woman, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 2

Baron Dominique Vivant Denon (d. 1825)

1873 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Obscene group consisting of two men and two woman, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 2

Baron Dominique Vivant Denon (d. 1825)

1873 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ngontang (young white girl) helmet mask

Fang artist

First half of 20th century · Wood, pigment, kaolin

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.