
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci (d. 1519)
1496 · Pen and brown ink (recto and verso)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
320 ms. The Metropolitan Museum of Art, Collection API (Open Access)
338 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 22 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci (d. 1519)
1496 · Pen and brown ink (recto and verso)
Cleared · Public Domain
live
The Goddess Diana as a Personification of the Moon (Luna)
Jacques Jonghelinck (d. 1606)
1563–85 · Pen and brown ink, brush and brown and blue wash, red chalk, white gouache, over black chalk; squared in black chalk
Cleared · Public Domain
live
Armchair (fauteuil à la reine)
Unrecorded maker
ca. 1690–1710 · Carved and gilded walnut, late 17th-century wool velvet (not original)
Cleared · Public Domain
live
Plaque (tableau)
Sèvres Manufactory (d. 9999)
1761 · Soft-paste porcelain decorated in polychrome enamels
Cleared · Public Domain
live
Portrait of Monsieur Aublet
Guillaume Voiriot (d. 1799)
ca. 1782 · Oil on canvas
Cleared · Public Domain
live
Portrait of the Artist Johann Christian Reinhart
José de Madrazo (d. 1859)
1811 · Etching; proof
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Annales du Musee et de l'Ecole Moderne des Beaux-Arts, recueil de gravures au trait, d'après les principaux ouvrages de peinture, sculpture ou projets d'architecture, qui, chaque année, ont remporté le prix, soit aux écoles spéciales, soit aux concours nationaux ; les productions des artistes en tous genres, qui, aux différentes expositions, ont été citées avec éloges ; les morceaux les plus estimés de la galerie de peinture ; la suite complète de celle des antiques ; édifices publics, etc., vol. 1
Didot, le Jeune
1801
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Annales du Musee et de l'Ecole Moderne des Beaux-Arts, recueil de gravures au trait, d'après les principaux ouvrages de peinture, sculpture ou projets d'architecture, qui, chaque année, ont remporté le prix, soit aux écoles spéciales, soit aux concours nationaux ; les productions des artistes en tous genres, qui, aux différentes expositions, ont été citées avec éloges ; les morceaux les plus estimés de la galerie de peinture ; la suite complète de celle des antiques ; édifices publics, etc., vol. 2
Didot, le Jeune
1802
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Madrid. Musée de Peinture
Louis de Clercq (d. 1901)
1860 · Albumen silver print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lustful group consisting of two young men and a woman, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 2
Baron Dominique Vivant Denon (d. 1825)
1873 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Obscene group consisting of two men and two woman, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 2
Baron Dominique Vivant Denon (d. 1825)
1873 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ngontang (young white girl) helmet mask
Fang artist
First half of 20th century · Wood, pigment, kaolin
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.