
Kama Aims His Bow at Radha: Page From a Dispersed Gita Govinda (Loves of Krishna)
Unrecorded maker
ca. 1695 · Ink and opaque watercolor on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
335 ms. The Metropolitan Museum of Art, Collection API (Open Access)
324 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Kama Aims His Bow at Radha: Page From a Dispersed Gita Govinda (Loves of Krishna)
Unrecorded maker
ca. 1695 · Ink and opaque watercolor on paper
Cleared · Public Domain
live
Shah Jahan Hunting Blackbuck with Trained Cheetahs
Unrecorded maker
1710–15 · Ink, gold, and opaque watercolor on paper
Cleared · Public Domain
live
Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar
Stipple Master (d. 1725)
ca. 1707–8 · Opaque watercolor, ink and gold on paper
Cleared · Public Domain
live
Maharana Amar Singh II, Prince Sangram Singh and Courtiers Watch a Performance
Unrecorded maker
ca. 1705–8 · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
A Maharana and His Retinue Hunting Boar
Unrecorded maker
early 18th century · Ink and wash on paper
Cleared · Public Domain
live
Maharana Sangram Singh Hunting Wild Boar
Unrecorded maker
ca. 1725 · Ink and opaque watercolor on paper
Cleared · Public Domain
live
Maharana Raj Singh II receiving courtiers in the Chinese Picture Hall at Udaipur Palace
Raghunath, son of Maluk Chand (d. 1769)
1754 · Opaque watercolor on paper
Cleared · Public Domain
live
Maharana Ari Singh with His Courtiers Being Entertained at the Jagniwas Water Palace
Bhima
dated 1767 · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
Maharana Sarup Singh Inspects a Prize Stallion
Tara (d. 1870)
1845–46 · Opaque watercolor, ink, and gold on paper
Cleared · Public Domain
live
Maharaja Sovan Singh playing pachisi
Ambav (d. 1869)
ca. 1868 · Opaque watercolor with gold on paper, inscribed in devanagari on the reverse
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maharaja Raj Singh and his Elephants
Unrecorded maker
ca. 1710–15 · Opaque watercolor, ink and charcoal on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jagat Singh and his Queens at Jagniwas
Sukha
ca. 1750 · Opaque watercolor with gold and tin on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.