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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    246 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    306 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 75 matching records exist across the two collections.

Results for "Maiden Lane from No. 2 to No. 62"12 records

Institutions answered newest-first by record, interleaved

Couplet by Han Yu by Emperor Guangzong, The Metropolitan Museum of Art

Couplet by Han Yu

Emperor Guangzong (d. 1200)

1200 · Fan mounted as an album leaf; ink on silk

Cleared · Public Domain

live
The MetSimilar
Watch by Jean Rousseau the Younger, The Metropolitan Museum of Art

Watch

Jean Rousseau the Younger (d. 1684)

ca. 1650–60 · Case: rock crystal mounted in gilded brass; Dial: silver and black enamel with gilded-brass hand; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Watch by Nicolaus Rugendas the Younger, The Metropolitan Museum of Art

Watch

Nicolaus Rugendas the Younger (d. 1695)

ca. 1670 · Case and dial: painted and raised enamel on gold, set with gemstones (rubies), with a single hand; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Tankard by Meissen Manufactory, The Metropolitan Museum of Art

Tankard

Meissen Manufactory (d. 9999)

ca. 1725–30 · Hard-paste porcelain decorated in polychrome enamels, gold; silver-gilt mounts

Cleared · Public Domain

live
The MetSimilar
Pair of candlestands by an unrecorded maker, The Metropolitan Museum of Art

Pair of candlestands

Unrecorded maker

ca. 1735 · Linden wood; cut and gilded gesso; Tegernsee limestone top

Cleared · Public Domain

live
The MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1 by Rudolph Ackermann, London, The Metropolitan Museum of Art

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1

Rudolph Ackermann, London (d. 1832)

January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples

Cleared · Public Domain

live
The MetSimilar
Watch in the form of a human skull by Isaac Penard, The Metropolitan Museum of Art

Watch in the form of a human skull

Isaac Penard (d. 1676)

case ca. 1810–20, movement ca. 1650 · Case: silver; Dial: silver, partly nielloed; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maiden Lane from No. 1 to No. 65

Tallis & Co. (d. 1863)

1854 · Steel engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maiden Lane from No. 2 to No. 62

Tallis & Co. (d. 1863)

1854 · Steel engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maiden Lane, New York, No. 1- No. 169

Anonymous, American, 19th century (d. 1900)

1840–54 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Italian Masters, I, Engraved by Timothy Cole, Japan Proofs

Timothy Cole (d. 1931)

1892 · Wood engraving on Japan paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.