
Male Figure
Unrecorded maker
late 1800s-early 1900s · Sculpture, Wood, ceramic or Formica, copper alloy, and iron alloy
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
380 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 251 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Male Figure
Unrecorded maker
late 1800s-early 1900s · Sculpture, Wood, ceramic or Formica, copper alloy, and iron alloy
Cleared · CC0
live
Male Figure of a Pair
Unrecorded maker
late 1800s–early 1900s · Sculpture, Wood, iron alloy, copper alloy, and cloth
Cleared · CC0
live
Male Figure
Unrecorded maker
possibly 1300s–1600s · Sculpture, Terracotta
Cleared · CC0
live
Male Figure
Totokro Master
by 1931 · Sculpture, wood
Cleared · CC0
live
Male Figure (Ofika)
Unrecorded maker
late 1800s or early 1900s · Sculpture, Wood, colorant, and upholstery studs
Cleared · CC0
live
Male Figure (nkishi)
Unrecorded maker
late 1800s–early 1900s · Sculpture, Wood, glass beads, brass (including upholstery studs), copper alloy, iron alloy, raffia, reedbuck antelope horn, rawhide, animal hair, human teeth, organic material, minerals, and plant fibers
Cleared · CC0
live
Male Figure from a Pair (asye usu)
Unrecorded maker
late 1800s–early 1900s · Sculpture, Wood, resin, glass beads, plant fiber, and metal
Cleared · CC0
live
Male Figure
Unrecorded maker
mid- to late 1800s · Sculpture, Wood and colorant
Cleared · CC0
live
Male figure (nkisi nkondi)
Unrecorded maker
late 1800s-early 1900s · Sculpture, Wood, metalized glass, iron, organic material, ivory or plastic, and natural fiber
Cleared · CC0
live
Male Figure (Nkisi)
Unrecorded maker
late 1800s-early 1900s · Sculpture, Wood, organic material (including resin), metalized glass, and cloth
Cleared · CC0
live
Male Figure (Nkisi)
Unrecorded maker
late 1800s-early 1900s · Sculpture, Wood, cloth, resin, organic material, feathers, natural fibers, antelope horn, seashells (including cowrie shells), glass beads, metalized glass, and plant fiber
Cleared · CC0
live
Seated Male Carrying Maize
Unrecorded maker
1325–1521 · Sculpture, stone, pigment
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.