
Seated Male Figure
Unrecorded maker
2nd–4th century · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
617 ms. The Metropolitan Museum of Art, Collection API (Open Access)
802 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11,217 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Seated Male Figure
Unrecorded maker
2nd–4th century · Ceramic
Cleared · Public Domain
live
Statuette of a Young Spearman
Unrecorded maker
late 500s BCE · Sculpture, Bronze
Cleared · CC0
live
Male Nude Torso with Raised Arms
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
ca. 1522–24 · Red chalk
Cleared · Public Domain
live
Female figure with raised arm
Tellem blacksmith
15th–16th century · Wood (Moraceae family), applied organic materials
Cleared · Public Domain
live
Priest with raised arms
Dogon blacksmith
14th–17th century · Wood, applied organic materials
Cleared · Public Domain
live
Male Figure with Arms Raised to the Left Seen From the Rear (recto); Male Figures with Arms Raised to the Left (front view of figure on recto) (verso)
Anonymous, Italian, Bolognese, 17th century (d. 1700)
17th century · Red chalk on light brown paper; framing lines in pen and brown ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Raised Relief Fragment with a Male Figure Grasping an Object Decorated with Representations of Non-Egyptians
Unrecorded maker
ca. 1971–1926 B.C. · Limestone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Double plank figure with raised arms
Tellem or Dogon blacksmith
16th–19th century · Wood, applied organic materials
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Male Figure
Unrecorded maker
19th–early 20th century · Wood, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Male Figure
"Master of the Narrow Face" (d. 1940)
Late 19th–early 20th century · Wood, cotton cloth, pigment, plant fiber, metal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bather with Raised Arms
Aristide Maillol (d. 1944)
modeled 1898, reworked ca. 1926, cast date unknown · Bronze
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.