
Male Nude, Study for Samson and Delilah
Jacques Francois Amand (d. 1769)
ca.1730–69 · Black and white chalk on brown paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
370 ms. The Metropolitan Museum of Art, Collection API (Open Access)
384 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,494 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Male Nude, Study for Samson and Delilah
Jacques Francois Amand (d. 1769)
ca.1730–69 · Black and white chalk on brown paper
Cleared · Public Domain
live
Study of a Male Nude (verso)
Pierre-Paul Prud'hon (d. 1823)
c. 1810 · Drawing, black and white chalk (both stumped)
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Male Nude Study
Benigno Bossi (d. 1792)
1772 · Etching
In copyright
live
Study of a Nude Woman, Seated Looking to the Right (recto) Study of a Male Nude (verso)
Pierre-Paul Prud'hon (d. 1823)
c. 1810 · Drawing, black and white chalk (both stumped)
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (male nude study)
John Haley (d. 1991)
1927–28 · Charcoal on paper
In copyright
live
Study for the Nude Youth over the Prophet Daniel (recto)
Michelangelo Buonarroti (d. 1564)
1510–1511 · Drawing, red chalk over black chalk or charcoal
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
a) Recto: Untitled (Male nude study)
Reginald Marsh (d. 1954)
ca. 1926 · Black crayon on paper (recto and verso)
In copyright
live
Male Nude
Guglielmo Marconi (d. 1885)
c. 1870–75 · Photograph, albumen print from wet collodion negative
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (Male nude study)
Reginald Marsh (d. 1954)
ca. 1926 · Black crayon on paper
In copyright
live
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Michelangelo Buonarroti (d. 1564)
1510–11 · Drawing, red chalk over black chalk or charcoal
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (male nude study)
Reginald Marsh (d. 1954)
ca. 1931 · Black chalk on paper
In copyright
live
Three Male Nudes
Domenico Beccafumi (d. 1551)
c. 1540–47 · Drawing, black chalk or charcoal with brush and black chalk or charcoal wash, heightened with white gouache; incised
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.