Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    286 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    333 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,567 matching records exist across the two collections.

Results for "Male and female figures standing in fron"11 records

Institutions answered newest-first by record, interleaved

Standing female figure by Tala-Tonalá artist(s), The Metropolitan Museum of Art

Standing female figure

Tala-Tonalá artist(s)

300 BCE–300 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Standing female figure by Tala-Tonalá artist(s), The Metropolitan Museum of Art

Standing female figure

Tala-Tonalá artist(s)

300 BCE–300 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Standing female figure by Nayarit artist(s), The Metropolitan Museum of Art

Standing female figure

Nayarit artist(s)

100–400 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Standing Female Figure by Nayarit artist(s), The Metropolitan Museum of Art

Standing Female Figure

Nayarit artist(s)

100–400 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Standing female figure by Huastec artist(s), The Metropolitan Museum of Art

Standing female figure

Huastec artist(s)

1250–1521 CE · Sandstone

Cleared · Public Domain

live
The MetSimilar
Two Standing Male Figures by Perino del Vaga (Pietro Buonaccorsi), The Metropolitan Museum of Art

Two Standing Male Figures

Perino del Vaga (Pietro Buonaccorsi) (d. 1547)

1501–47 · Pen and dark brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk, on brownish paper

Cleared · Public Domain

live
The MetSimilar
Standing Male and Female Figures by an unrecorded maker, The Metropolitan Museum of Art

Standing Male and Female Figures

Unrecorded maker

18th–19th century · Wood, beads

Cleared · Public Domain

live
The MetSimilar
Seated Female Nude (recto); Standing Male Nude (verso) by Pierre Paul Prud'hon, The Metropolitan Museum of Art

Seated Female Nude (recto); Standing Male Nude (verso)

Pierre Paul Prud'hon (d. 1823)

probably between 1810–20 · Black and white chalk, stumped, on blue paper

Cleared · Public Domain

live
The MetSimilar
[Standing Female Nude] by Unknown, The Metropolitan Museum of Art

[Standing Female Nude]

Unknown

ca. 1856 · Salted paper print from collodion glass negative

Cleared · Public Domain

live
The MetSimilar
[Standing Male Nude] by Unknown, The Metropolitan Museum of Art

[Standing Male Nude]

Unknown

ca. 1856 · Salted paper print from collodion glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Togu na support post with male and female figures

Mande numu (blacksmith)

19th–mid-20th century · Wood, metal

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.