
Power Figure: Male (Nkisi)
Unrecorded maker
19th century · Wood, iron, glass, terracotta, shells, cloth, fiber, pigment, seeds, beads
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
391 ms. The Metropolitan Museum of Art, Collection API (Open Access)
277 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Power Figure: Male (Nkisi)
Unrecorded maker
19th century · Wood, iron, glass, terracotta, shells, cloth, fiber, pigment, seeds, beads
Cleared · Public Domain
live
Male figure (nkisi nkondi)
Unrecorded maker
late 1800s-early 1900s · Sculpture, Wood, metalized glass, iron, organic material, ivory or plastic, and natural fiber
Cleared · CC0
live
Ngoma (drum)
Unrecorded maker
19th century · Wood, fiber, glass
Cleared · Public Domain
live
Mangaaka Power Figure (Nkisi N’Kondi)
Yombe-Kongo artist and nganga (ritual specialist)
ca. 1880–1900 · Wood, iron, resin, ceramic, plant fiber, textile, pigment
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Kneeling nkisi (power figure)
Kongo artist
19th–first half of 20th century · Wood, cloth traces, applied organic matter, bone, resin
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nkisi (power figure) with dog and rider
Kongo artist and nganga (ritual specialist)
19th–first half of 20th century · Wood, resin, glass, pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nkisi (power figure)
Kongo artist and nganga (ritual specialist)
19th–mid-20th century · Wood, glass, metal, cloth, organic matter
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nkisi (power figure)
Kongo artist and nganga (ritual specialist)
19th–mid-20th century · Wood, pigment, glass, leather, glaze, feathers, encrustation
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nkisi N’Kondi (power figure)
Kongo artist and nganga (ritual specialist)
19th–mid-20th century · Wood, mirror, cloth, paint, pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Homage To Malcolm
Jack Whitten (d. 2018)
1965 · Wood, metal and paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.