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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    391 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    277 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Male figure (nkisi nkondi)"10 records

Institutions answered newest-first by record, interleaved

Power Figure: Male (Nkisi) by an unrecorded maker, The Metropolitan Museum of Art

Power Figure: Male (Nkisi)

Unrecorded maker

19th century · Wood, iron, glass, terracotta, shells, cloth, fiber, pigment, seeds, beads

Cleared · Public Domain

live
The MetSimilar
Male figure (nkisi nkondi) by an unrecorded maker, The Cleveland Museum of Art

Male figure (nkisi nkondi)

Unrecorded maker

late 1800s-early 1900s · Sculpture, Wood, metalized glass, iron, organic material, ivory or plastic, and natural fiber

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ngoma (drum) by an unrecorded maker, The Metropolitan Museum of Art

Ngoma (drum)

Unrecorded maker

19th century · Wood, fiber, glass

Cleared · Public Domain

live
The MetSimilar
Mangaaka Power Figure (Nkisi N’Kondi) by Yombe-Kongo artist and nganga (ritual specialist), The Metropolitan Museum of Art

Mangaaka Power Figure (Nkisi N’Kondi)

Yombe-Kongo artist and nganga (ritual specialist)

ca. 1880–1900 · Wood, iron, resin, ceramic, plant fiber, textile, pigment

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kneeling nkisi (power figure)

Kongo artist

19th–first half of 20th century · Wood, cloth traces, applied organic matter, bone, resin

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nkisi (power figure) with dog and rider

Kongo artist and nganga (ritual specialist)

19th–first half of 20th century · Wood, resin, glass, pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nkisi (power figure)

Kongo artist and nganga (ritual specialist)

19th–mid-20th century · Wood, glass, metal, cloth, organic matter

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nkisi (power figure)

Kongo artist and nganga (ritual specialist)

19th–mid-20th century · Wood, pigment, glass, leather, glaze, feathers, encrustation

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nkisi N’Kondi (power figure)

Kongo artist and nganga (ritual specialist)

19th–mid-20th century · Wood, mirror, cloth, paint, pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Homage To Malcolm

Jack Whitten (d. 2018)

1965 · Wood, metal and paint

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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