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Drapery Study for a Standing Male Figure in Profile Facing Left

Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (d. 1517)

1512–17 · Black chalk, highlighted with white chalk, on tan paper

Study for Allegorical Figure of Prudence

Perino del Vaga (Pietro Buonaccorsi) (d. 1547)

1501–47 · Pen and brown ink, brush and gray wash, over traces of black chalk

Study for a Male Figure Lowered into a Grave (recto); Kneeling Female Figure in Profile to Left (verso)

Cigoli (Ludovico Cardi) (d. 1613)

1607–13 · Point of brush and blue wash, heightened with white, over black chalk, on blue paper

Study of a seated male figure (Ecce Homo?)

Juan Carreño de Miranda (d. 1685)

ca. 1665–75 · Red chalk and charcoal

Standing Male Figure: Study for a Portrait

Bartolomé Estebán Murillo (d. 1682)

1670–80 · Pen and brown ink over black chalk underdrawing on off-white paper (recto); black chalk (verso)

Male Nude, Study for Samson and Delilah

Jacques Francois Amand (d. 1769)

ca.1730–69 · Black and white chalk on brown paper

Study for a male figure in "Comus–The Measure" (recto); Reclining male nude (verso)

George Richmond (d. 1896)

before 1864 · Black chalk

Nude Male Figure with a Sword

Alexandre Cabanel (d. 1889)

1878 · Black chalk

Male figure from offering scene

Unrecorded maker

ca. 2051–2000 B.C. · Limestone, paint

Male figure for a komien (trance diviner)

"Master from Essankro"

ca. 1880 · Wood, pigment, beads, iron, applied organic materials

Male figure study for a scene from "A Christmas Carol"

Nicolas Clerihew Bentley (d. 1978)

1928–64 · Pen and black ink over graphite

Male figure study for a scene from "A Christmas Carol"

Nicolas Clerihew Bentley (d. 1978)

1928–64 · Pen and black ink over graphite