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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    902 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 62 matching records exist across the two collections.

Results for "Male pombia (child of Poro) figure"12 records

Institutions answered newest-first by record, interleaved

Fragment of a terracotta relief of a woman and child by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a terracotta relief of a woman and child

Unrecorded maker

mid-4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Male effigy vessel by Colima artist(s), The Metropolitan Museum of Art

Male effigy vessel

Colima artist(s)

1200–1500 CE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Jomogoni male figure by Bamana numu (blacksmith), The Metropolitan Museum of Art

Jomogoni male figure

Bamana numu (blacksmith)

15th–17th century · Wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jomogoni female figure

Bamana numu (blacksmith)

15th–17th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jomogoni male figure

Bamana numu (blacksmith)

15th–17th century · Wood, mud

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Male figure holding vessel

Luluwa artist

19th–early 20th century · Wood, pigment, camwood powder

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Male pombia (child of Poro) figure

Tyebara-Senufo artist

19th–mid-20th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Female Poro Figure (Pombia)

Unrecorded maker

19th–mid-20th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Madeö (ambivalent spirit) altar figure

Senufo artist

late 19th–mid-20th century · Wood, pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Madeö (ambivalent spirit) altar figure

Senufo artist

late 19th–mid-20th century · Wood, pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Seated male figure

Luluwa artist

19th–mid-20th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tyekpa maternity figure

Senufo artist

late 19th–mid 20th century · Wood, oil

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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