
Fragment of a terracotta relief of a woman and child
Unrecorded maker
mid-4th century BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
902 ms. The Metropolitan Museum of Art, Collection API (Open Access)
308 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 62 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragment of a terracotta relief of a woman and child
Unrecorded maker
mid-4th century BCE · Terracotta
Cleared · Public Domain
live
Male effigy vessel
Colima artist(s)
1200–1500 CE · Ceramic
Cleared · Public Domain
live
Jomogoni male figure
Bamana numu (blacksmith)
15th–17th century · Wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jomogoni female figure
Bamana numu (blacksmith)
15th–17th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jomogoni male figure
Bamana numu (blacksmith)
15th–17th century · Wood, mud
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Male figure holding vessel
Luluwa artist
19th–early 20th century · Wood, pigment, camwood powder
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Male pombia (child of Poro) figure
Tyebara-Senufo artist
19th–mid-20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Female Poro Figure (Pombia)
Unrecorded maker
19th–mid-20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Madeö (ambivalent spirit) altar figure
Senufo artist
late 19th–mid-20th century · Wood, pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Madeö (ambivalent spirit) altar figure
Senufo artist
late 19th–mid-20th century · Wood, pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seated male figure
Luluwa artist
19th–mid-20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tyekpa maternity figure
Senufo artist
late 19th–mid 20th century · Wood, oil
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.