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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    326 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    380 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11,842 matching records exist across the two collections.

Results for "Man's Cap"12 records

Institutions answered newest-first by record, interleaved

Limestone male head by an unrecorded maker, The Metropolitan Museum of Art

Limestone male head

Unrecorded maker

last quarter of the 6th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Man's Bwami Prestige Cap (sawamazembe) by an unrecorded maker, The Cleveland Museum of Art

Man's Bwami Prestige Cap (sawamazembe)

Unrecorded maker

early to mid-1900s · Garment, Plant fiber, seashells, seeds, pods, buttons, and probably cotton

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of a Man Wearing a Cap or Helmet by an unrecorded maker, The Metropolitan Museum of Art

Head of a Man Wearing a Cap or Helmet

Unrecorded maker

possibly 2nd–3rd century · Fossiliferous limestone

Cleared · Public Domain

live
The MetSimilar
Man's Cap by an unrecorded maker, The Cleveland Museum of Art

Man's Cap

Unrecorded maker

late 1500s · Embroidery, embroidery; silk and silver gilt thread on linen

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of a Man Wearing a Cap by Domenico Ghirlandaio (Domenico Bigordi), The Metropolitan Museum of Art

Head of a Man Wearing a Cap

Domenico Ghirlandaio (Domenico Bigordi) (d. 1494)

ca. 1495–1505 · Metalpoint, heightened with brush and white, on reddish orange prepared paper.

Cleared · Public Domain

live
The MetSimilar
Man with a Fur Cap by Giovanni Battista Piazzetta, The Cleveland Museum of Art

Man with a Fur Cap

Giovanni Battista Piazzetta (d. 1754)

c. 1730/40s · Drawing, black chalk, stumped (and wetted?), with black chalk wash, heightened with white chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Two deformed heads facing inwards by Wenceslaus Hollar, The Metropolitan Museum of Art

Two deformed heads facing inwards

Wenceslaus Hollar (d. 1677)

1645 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Head of a Young Man in a Cap by Giovanni Battista Piazzetta, The Cleveland Museum of Art

Head of a Young Man in a Cap

Giovanni Battista Piazzetta (d. 1754)

first half 18th century · Drawing, black chalk heightened with white chalk, with stumping

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Man's Féssi Cap

Unrecorded maker

ca. 1850 · silk, wool, gold thread.

In copyright

live
The MetSimilar
Old Man with a Divided Fur Cap by Rembrandt van Rijn, The Cleveland Museum of Art

Old Man with a Divided Fur Cap

Rembrandt van Rijn (d. 1669)

1640 · Print, etching and drypoint

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Horse That Died on the Man's Hands: Moral -- Don't Hold Your Trotter Too High

Currier & Ives (d. 1907)

1878 · Hand-colored lithograph

In copyright

live
The MetSimilar
Head of a Man in a Cap by an unrecorded maker, The Cleveland Museum of Art

Head of a Man in a Cap

Unrecorded maker

16th century · Drawing, black and brown chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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