
The Lamentation of Christ
Simon Marmion (d. 1489)
ca. 1473 · Oil and tempera(?) on oak panel
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2634 ms. The Metropolitan Museum of Art, Collection API (Open Access)
289 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Lamentation of Christ
Simon Marmion (d. 1489)
ca. 1473 · Oil and tempera(?) on oak panel
Cleared · Public Domain
live
"Portrait of Rup Singh", Folio from the Shah Jahan Album
Govardhan (d. 1645)
verso: ca. 1615–20; recto: ca. 1500 · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
Man's Robe (Jama) with Poppies
Unrecorded maker
17th century · Cotton; painted, with applied gold leaf
Cleared · Public Domain
live
Akbar Visited by Jahangir and Daniyal
Unrecorded maker
19th century · Opaque watercolor on paper
Cleared · Public Domain
live
Jahangir Visiting a Holy Man
Unrecorded maker
19th century · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maharaja Dhiraj Singh Riding
Unrecorded maker
ca. 1700 · Opaque watercolor and gold on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Maharao Umed Singh II of Kotah (r. 1889–1940)
Unrecorded maker
ca. 1900 · Opaque watercolor, gold, silver and pearls on paper mounted on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Angel of Death and the Sculptor from the Milmore Memorial
Daniel Chester French (d. 1931)
1889–93, carved 1921–26 · Marble
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.