
Man Seated on the Ground, Writing
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush and brown wash, over black chalk, highlighted with white gouache, on light tan paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
490 ms. The Metropolitan Museum of Art, Collection API (Open Access)
678 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,207 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Man Seated on the Ground, Writing
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush and brown wash, over black chalk, highlighted with white gouache, on light tan paper
Cleared · Public Domain
live
Man Seated With His Reading and Writing Materials before Him
Ryūryūkyo Shinsai (d. 1823)
1835 · Woodblock print (surimono); ink and color on paper
Cleared · Public Domain
live
Interior Scene with Man Smoking and Woman Pointing (from Sketchbook)
Francis William Edmonds (d. 1863)
ca. 1838 and after · Graphite on off-white wove paper
Cleared · Public Domain
live
Man Pointing and Writing; Man with Arms Folded (from Sketchbook)
Francis William Edmonds (d. 1863)
ca. 1838 and after · Graphite on off-white wove paper
Cleared · Public Domain
live
Vivien and Merlin
Julia Margaret Cameron (d. 1879)
1874 · Albumen silver print from glass negative
Cleared · Public Domain
live
Armor for Man and Horse
Unrecorded maker
man's armor, ca. 1575 and later; horse armor, ca. 1560 and later · Steel, gold, leather, copper alloy, textile
Cleared · Public Domain
live
Herbert
Morton Schamberg (d. 1918)
1912 · Gelatin silver print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Man with Crossed Arms]
Unknown
ca.1862 · Ambrotype
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A man with his fist raised and pointing to a town
Leopoldo Méndez (d. 1969)
1936 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Man with Out-stretched Arms
Helen West Heller (d. 1955)
1923–55 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Man with arms crossed]
Muriel and Malcolm Bell
1960s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Falling Man
Auguste Rodin (d. 1917)
modeled ca. 1882, cast 1982 · Bronze
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.