Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    217 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    298 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,963 matching records exist across the two collections.

Results for "Man Standing Next to a Young Boy Holding"12 records

Institutions answered newest-first by record, interleaved

Study for a Standing Young Man, Raising a Curtain and Looking at Left by Baccio Bandinelli, The Metropolitan Museum of Art

Study for a Standing Young Man, Raising a Curtain and Looking at Left

Baccio Bandinelli (d. 1560)

1518–19 · Red chalk

Cleared · Public Domain

live
The MetSimilar
Boy Holding a Sword, Standing near a Table in an Interior (recto); Various Sketches of Figures and Ornamental Forms (verso) by Anonymous, Dutch, 17th century, The Metropolitan Museum of Art

Boy Holding a Sword, Standing near a Table in an Interior (recto); Various Sketches of Figures and Ornamental Forms (verso)

Anonymous, Dutch, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash, over black chalk (recto); pen and brown ink, black chalk (verso); framing lines in pen and brown ink, by a later hand

Cleared · Public Domain

live
The MetSimilar
Fishermen by the Shore – Coastal Scene with a Man Sitting on Rocks and Smoking a Pipe, Next to a Standing Young Woman, with a Second Woman Behind by Thomas Rowlandson, The Metropolitan Museum of Art

Fishermen by the Shore – Coastal Scene with a Man Sitting on Rocks and Smoking a Pipe, Next to a Standing Young Woman, with a Second Woman Behind

Thomas Rowlandson (d. 1827)

1786 · Etching

Cleared · Public Domain

live
The MetSimilar
Transplanting of Teeth by Thomas Rowlandson, The Metropolitan Museum of Art

Transplanting of Teeth

Thomas Rowlandson (d. 1827)

1787 · Hand-colored etching and aquatint; early state

Cleared · Public Domain

live
The MetSimilar
Central Park, New York, Preparing for a Drive by George Schlegel, New York, The Metropolitan Museum of Art

Central Park, New York, Preparing for a Drive

George Schlegel, New York (d. 1957)

1873 · Hand-colored lithograph with painted black border

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Young shepherd resting next to a dog near a vaulted cave, to the right a woman is holding a container of liquid for a boy to drink from, a sheep and two cows resting at left

Francesco Londonio (d. 1783)

1759–82 · Etching; third state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Italian Family

Samuel Alken (d. 1815)

December 1785 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Transplanting of Teeth

Thomas Rowlandson (d. 1827)

1787 · Hand-colored etching and aquatint; early state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Venetian Convent

Sir David Young Cameron (d. 1945)

1895 · Etching; trial state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Man Standing Next to a Young Boy Holding Books

Félix Leblanc (d. 1923)

19th century · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Put Yourself in His Place (published in "Harper's Bazar," August 27, 1870)

Thomas Nast (d. 1902)

originally published 1870 · Relief print and electrotype

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

High School Student

August Sander (d. 1964)

1926 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.