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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    417 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    304 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 45 matching records exist across the two collections.

Results for "Man Throwing Up, a Swine at his Feet, fr"12 records

Institutions answered newest-first by record, interleaved

Furniture plaque carved in relief with striding man by an unrecorded maker, The Metropolitan Museum of Art

Furniture plaque carved in relief with striding man

Unrecorded maker

ca. 9th–8th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Terracotta fragments of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragments of a kylix (drinking cup)

Unrecorded maker

460–450 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Four Scenes: How to Stop your Horse at Pleasure; Geoffrey Gombado Esq-r.; How to Ride up Hyde Park; A Bit of Blood by Henry William Bunbury, The Metropolitan Museum of Art

Four Scenes: How to Stop your Horse at Pleasure; Geoffrey Gombado Esq-r.; How to Ride up Hyde Park; A Bit of Blood

Henry William Bunbury (d. 1811)

1787 or later · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pear-shaped ornament design with David holding the head of Goliath and grotesque motifs on a black ground

Etienne Delaune (d. 1583)

1573 · Engraving: first state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pear-shaped ornament design with David holding the head of Goliath and grotesque motifs on a black ground

Etienne Delaune (d. 1583)

1573 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Faemina Indica Orientalis, Indus Orientalis, Indus Africanus

Jean Jacques Boissard (d. 1602)

1581 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Man Throwing Up, a Swine at his Feet, from "Various Full-Length Figures"

Jan Georg (Joris) van Vliet (d. 1668)

1632 · Etching; second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Nightmare in the Sleeping Car: "Oh, I Was S-o-o Dry!" Chorus, -- "Dry Up and Bust."

Thomas B. Worth (d. 1917)

1875 · Hand-colored ithograph, with touches of gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Base Hit

Thomas B. Worth (d. 1917)

1882 · Hand-colored lithograph with gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Literary Debate in the Darktown Club: Settling the Question

Thomas B. Worth (d. 1917)

1884 · Lithograph, printed in color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

All Broke Up: "He'd a won de money, if it hadn't been for de odder dog."

King & Murphy (d. 1890)

1884 · Lithograph printed in color, with touches of watercolor and gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Frieze with a Love Scene

Félix Leblanc (d. 1923)

ca. 1880 · Wood engraving

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.