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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    331 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 5 matching records exist across the two collections.

Results for "Man and a Woman in Court Dress"5 records

Institutions answered newest-first by record, interleaved

The prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night by an unrecorded maker, The Cleveland Museum of Art

The prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The destitute Mukhtar meets his wife Maimuna at a holy shrine, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night by an unrecorded maker, The Cleveland Museum of Art

The destitute Mukhtar meets his wife Maimuna at a holy shrine, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The forty wives and their secret paramours being punished by stoning to death, from a Tuti-nama (Tales of a Parrot): Twenty-third Night by an unrecorded maker, The Cleveland Museum of Art

The forty wives and their secret paramours being punished by stoning to death, from a Tuti-nama (Tales of a Parrot): Twenty-third Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Harem night-bathing scene, from the Late Shah Jahan Album (recto) by an unrecorded maker, The Cleveland Museum of Art

Harem night-bathing scene, from the Late Shah Jahan Album (recto)

Unrecorded maker

c. 1653 · Painting, Gum tempera, gold, and ink on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Woman's Bridal Dress: Dragon Jacket, Pleated Skirt, Tabard by an unrecorded maker, The Cleveland Museum of Art

Woman's Bridal Dress: Dragon Jacket, Pleated Skirt, Tabard

Unrecorded maker

1800s · Garment, Silk, gilt-metal thread; embroidery

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.